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A work made of oil on panel.

Assumption of the Virgin

Marcellus Coffermans · 16th century

View at the AIC ↗

Palette

Bistre
 36% of the image
Brown · text contrast 15.2:1
Fawn
 24% of the image
Gold & ochre · text contrast 6.9:1
Umber
 15% of the image
Brown · text contrast 9.8:1
Garnet
 11% of the image
Red · text contrast 10.7:1
Sand
 8% of the image
Gold & ochre · text contrast 8.3:1
Sepia
 5% of the image
Brown · text contrast 6.9:1

Colours measured by this site from the museum image (k-means in CIELAB). Names are the nearest in our own list and describe how the colour looks, not the pigment. Text on each chip uses whichever of black or white contrasts more (WCAG ratio shown). How

Details

Artist
Marcellus Coffermans
Date
16th century
Type
Painting
Medium
Oil on panel
Size
26.9 × 18.4 cm (10 5/8 × 7 1/4 in.)
Place
Flanders
Themes
Bible stories and saints
Main colour
Brown · lightness 36, colourfulness 22

Art Institute of Chicago, George F. Harding Collection. Museum record. Public domain: the museum's is_public_domain field read true when we last checked (2026-10-31); image released under CC0. Licence rules

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Samson Captured by the Philistines, Guercino Samson Captured by the Philistines Guercino, 1619 Roses in a Bowl, Henri Fantin-Latour Roses in a Bowl Henri Fantin-Latour, 1881 Mrs. Vanderveer, or Mrs. Vandeveer, Artist unknown Mrs. Vanderveer, or Mrs. Vandeveer Artist unknown, 1717 Antiochus Yearning for Stratonice, Stefano Pozzi Antiochus Yearning for Stratonice Stefano Pozzi, c. 1740 Pastoral Scene, Giovanni Battista Piazzetta Pastoral Scene Giovanni Battista Piazzetta, 1740 The Apotheosis of the Hero, Follower of Peter Paul Rubens The Apotheosis of the Hero Follower of Peter Paul Rubens, c. 1635

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