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  4. Spring, No. 18 from the portfolio "American Pictorial Photography, Series I" (1899); edition 146/150
A work made of photogravure.

Spring, No. 18 from the portfolio "American Pictorial Photography, Series I" (1899); edition 146/150

Clarence Hudson White · 1898

View at the AIC ↗

Palette

Pewter
 42% of the image
Grey · text contrast 4.4:1
Warm grey
 25% of the image
Grey · text contrast 4.9:1
Stone
 15% of the image
Gold & ochre · text contrast 6.3:1
Putty
 14% of the image
Gold & ochre · text contrast 7.6:1
Pale stone
 3% of the image
Gold & ochre · text contrast 9.3:1
Taupe
 2% of the image
Brown · text contrast 5.5:1

Colours measured by this site from the museum image (k-means in CIELAB). Names are the nearest in our own list and describe how the colour looks, not the pigment. Text on each chip uses whichever of black or white contrasts more (WCAG ratio shown). How

Details

Artist
Clarence Hudson White
American, 1871–1925
Date
1898
Type
Photograph
Medium
Photogravure
Size
11.5 × 1.6 cm; 13.6 × 6.3 cm; 11.5 × 1.6 cm (sight, triptych with circular top); 38 × 28 cm (hinged paper)
Place
United States
Period
Pictorialism · 19th century
Main colour
Grey · lightness 56, colourfulness 9

Art Institute of Chicago, Gift of Daniel, Richard, and Jonathan Logan. Museum record. Public domain: the museum's is_public_domain field read true when we last checked (2026-10-25); image released under CC0. Licence rules

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The closest palettes among 5004 works, by average colour distance between the two palettes.

Recluse Dwellings in the Autumn Mountains, Mi Wanzhong Recluse Dwellings in the Autumn Mountains Mi Wanzhong, Ming dynasty (1368–1644), dated 1621 St. Peter’s Seen Through the Porta Angelica, J. M. W. Turner St. Peter’s Seen Through the Porta Angelica J. M. W. Turner, n.d. The Lictors Bringing Brutus the Bodies of his Sons, Jacques-Louis David The Lictors Bringing Brutus the Bodies of his Sons Jacques-Louis David, 1787 The Poacher - A Hare in View, (Suffolk), Peter Henry Emerson The Poacher - A Hare in View, (Suffolk) Peter Henry Emerson, c. 1883/87, printed 1888 Madonna with the Monkey, Albrecht Dürer Madonna with the Monkey Albrecht Dürer, n.d. A Stiff Pull, (Suffolk), Peter Henry Emerson A Stiff Pull, (Suffolk) Peter Henry Emerson, c. 1883/87, printed 1888

More by Clarence Hudson White

Artist page and colour fingerprint
Edge of Woods, No. 10 from the portfolio "American Pictorial Photography, Series II” (1901); edition 34/150, Clarence Hudson White Edge of Woods, No. 10 from the portfolio "American Pictorial Photography, Series II” (1901); edition 34/150 Clarence Hudson White, c. 1899 Sunlight, Clarence Hudson White Sunlight Clarence Hudson White, 1899, printed 1901 Untitled, Clarence Hudson White Untitled Clarence Hudson White, 1901/05 The Fountain, Clarence Hudson White The Fountain Clarence Hudson White, 1905/1906 Evening—Mother and Boys, Clarence Hudson White Evening—Mother and Boys Clarence Hudson White, 1905 Girl with Muff, Clarence Hudson White Girl with Muff Clarence Hudson White, 1906