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A work made of photogravure.

The Manger, No. 2 from the portfolio "American Pictorial Photography, Series II” (1901); edition 34/150

Gertrude Käsebier · 1899

View at the AIC ↗

Palette

Pewter
 51% of the image
Grey · text contrast 4.9:1
Smoke
 18% of the image
Grey · text contrast 5.9:1
Ash
 15% of the image
Grey · text contrast 6.8:1
Oyster
 7% of the image
White & cream · text contrast 13.1:1
Silver
 5% of the image
Grey · text contrast 8.5:1
Pale stone
 3% of the image
Grey · text contrast 10.1:1

Colours measured by this site from the museum image (k-means in CIELAB). Names are the nearest in our own list and describe how the colour looks, not the pigment. Text on each chip uses whichever of black or white contrasts more (WCAG ratio shown). How

Details

Artist
Gertrude Käsebier
American, 1852–1934
Date
1899
Type
Photograph
Medium
Photogravure
Size
Image/paper: 25.7 × 14.4 cm (10 1/8 × 5 11/16 in.); Hinged paper: 38 × 28 cm (15 × 11 1/16 in.)
Place
United States
Period
Pictorialism · 19th century
Main colour
Grey · lightness 57, colourfulness 5

Art Institute of Chicago, Gift of Daniel, Richard, and Jonathan Logan. Museum record. Public domain: the museum's is_public_domain field read true when we last checked (2026-10-25); image released under CC0. Licence rules

Works that share this palette

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The closest palettes among 5004 works, by average colour distance between the two palettes.

The Haunt of the Pike, Peter Henry Emerson The Haunt of the Pike Peter Henry Emerson, 1886 Edge of Woods, No. 10 from the portfolio "American Pictorial Photography, Series II” (1901); edition 34/150, Clarence Hudson White Edge of Woods, No. 10 from the portfolio "American Pictorial Photography, Series II” (1901); edition 34/150 Clarence Hudson White, c. 1899 Marie Antoinette in a Park, Élisabeth Louise Vigée Le Brun Marie Antoinette in a Park Élisabeth Louise Vigée Le Brun, ca. 1780–81 Gathering Water-Lilies, Peter Henry Emerson Gathering Water-Lilies Peter Henry Emerson, 1886, printed 1886 Pasture in Normandy, Jean-François Millet Pasture in Normandy Jean-François Millet, c. 1870–71 Towing the Reed, Peter Henry Emerson Towing the Reed Peter Henry Emerson, 1886

More by Gertrude Käsebier

Portrait of a Boy, No. 10 from the portfolio "American Pictorial Photography, Series I" (1899); edition 146/150, Gertrude Käsebier Portrait of a Boy, No. 10 from the portfolio "American Pictorial Photography, Series I" (1899); edition 146/150 Gertrude Käsebier, 1897 Mother and Child, Gertrude Käsebier Mother and Child Gertrude Käsebier, 1899 The Manger, Gertrude Käsebier The Manger Gertrude Käsebier, 1899 Blessed Art Thou Among Women, from "American Pictorial Photography, Series II" (1901); edition 34/150, Gertrude Käsebier Blessed Art Thou Among Women, from "American Pictorial Photography, Series II" (1901); edition 34/150 Gertrude Käsebier, 1899