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A work made of oil on canvas.

Samuel Fisher Bradford

Rembrandt Peale · 1803–8

View at the AIC ↗

Palette

Lamp black
 59% of the image
Black · text contrast 18.1:1
Green earth
 31% of the image
Green · text contrast 5.2:1
Parchment
 4% of the image
Green · text contrast 10.7:1
Caramel
 3% of the image
Gold & ochre · text contrast 5.0:1
Cinnamon
 2% of the image
Brown · text contrast 7.4:1
Mahogany
 1% of the image
Brown · text contrast 13.6:1

Colours measured by this site from the museum image (k-means in CIELAB). Names are the nearest in our own list and describe how the colour looks, not the pigment. Text on each chip uses whichever of black or white contrasts more (WCAG ratio shown). How

Details

Artist
Rembrandt Peale
Date
1803–8
Type
Painting
Medium
Oil on canvas
Size
68.5 × 55.9 cm (27 × 22 in.)
Place
Philadelphia
Period
19th century
Themes
Portraits
Main colour
Black · lightness 24, colourfulness 12

Art Institute of Chicago, Purchased with funds provided by Mr. and Mrs. Herbert Alexander Vance. Museum record. Public domain: the museum's is_public_domain field read true when we last checked (2026-10-25); image released under CC0. Licence rules

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The closest palettes among 5004 works, by average colour distance between the two palettes.

Portrait of an Artist, Follower of Frans Hals Portrait of an Artist Follower of Frans Hals, 1644 Jacob's Farewell to Benjamin, Follower of Rembrandt van Rijn Jacob's Farewell to Benjamin Follower of Rembrandt van Rijn, c. 1655 The Brook of Les Puits-Noir, Gustave Courbet The Brook of Les Puits-Noir Gustave Courbet, c. 1855 Portrait of Fridrich Rorbach, Conrad Faber Portrait of Fridrich Rorbach Conrad Faber, 1532 Seascape, Henry Ward Ranger Seascape Henry Ward Ranger, 1892 Saint James's Vision of the Virgin of the Pillar, Antonio González Velásquez, I Saint James's Vision of the Virgin of the Pillar Antonio González Velásquez, I, c. 1750

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Abigail Inskeep Bradford, Rembrandt Peale Abigail Inskeep Bradford Rembrandt Peale, 1803–8 Richardson Stuart, Rembrandt Peale Richardson Stuart Rembrandt Peale, c. 1815

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