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A work made of etching in black on ivory laid paper.

The Raising of Lazarus: Small Plate

Rembrandt van Rijn · 1642

View at the AIC ↗

Palette

Linen
 39% of the image
White & cream · text contrast 13.1:1
Pale stone
 16% of the image
Gold & ochre · text contrast 10.0:1
Mushroom
 15% of the image
Grey · text contrast 7.3:1
Warm grey
 14% of the image
Grey · text contrast 4.9:1
Taupe
 13% of the image
Brown · text contrast 6.1:1
Iron
 4% of the image
Grey · text contrast 9.8:1

Colours measured by this site from the museum image (k-means in CIELAB). Names are the nearest in our own list and describe how the colour looks, not the pigment. Text on each chip uses whichever of black or white contrasts more (WCAG ratio shown). How

Details

Artist
Rembrandt van Rijn
Dutch, 1606-1669
Date
1642
Type
Print
Medium
Etching in black on ivory laid paper
Size
Image/plate: 14.7 × 11.3 cm (5 13/16 × 4 1/2 in.); Sheet: 15.6 × 12.2 cm (6 3/16 × 4 13/16 in.)
Place
Holland
Period
17th century
Main colour
White & cream · lightness 69, colourfulness 11

Art Institute of Chicago, John H. Wrenn Memorial Collection. Museum record. Public domain: the museum's is_public_domain field read true when we last checked (2026-10-25); image released under CC0. Licence rules

Works that share this palette

Search by colour

The closest palettes among 5004 works, by average colour distance between the two palettes.

The Raising of Lazarus, Lucas van Leyden The Raising of Lazarus Lucas van Leyden, c. 1507 The Apollo Belvedere, plate 3 from Three Famous Antique Sculptures, Hendrick Goltzius The Apollo Belvedere, plate 3 from Three Famous Antique Sculptures Hendrick Goltzius, c. 1592, printed c. 1617 Two Draft Horses with a Sleeping Driver, Théodore Géricault Two Draft Horses with a Sleeping Driver Théodore Géricault, 1820–22 Nude Man Seated on the Ground with One Leg Extended, Rembrandt van Rijn Nude Man Seated on the Ground with One Leg Extended Rembrandt van Rijn, 1646 Florence Leyland, James McNeill Whistler Florence Leyland James McNeill Whistler, 1874 Repose, Mary Cassatt Repose Mary Cassatt, c. 1890

More by Rembrandt van Rijn

Artist page and colour fingerprint
The Artist's Mother Seated at a Table, Looking Right: Three Quarter Length, Rembrandt van Rijn The Artist's Mother Seated at a Table, Looking Right: Three Quarter Length Rembrandt van Rijn, c. 1631 Old Man with a Gold Chain, Rembrandt van Rijn Old Man with a Gold Chain Rembrandt van Rijn, 1631 The Stoning of St. Stephen, Rembrandt van Rijn The Stoning of St. Stephen Rembrandt van Rijn, 1635 Self-Portrait with Saskia, Rembrandt van Rijn Self-Portrait with Saskia Rembrandt van Rijn, 1636 Self-Portrait in a Flat Cap and Embroidered Dress, Rembrandt van Rijn Self-Portrait in a Flat Cap and Embroidered Dress Rembrandt van Rijn, c. 1642 Christ Carried to the Tomb, Rembrandt van Rijn Christ Carried to the Tomb Rembrandt van Rijn, c. 1645