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A scene in green, orange, and blue depicts a large robed figure seated prominently in the foreground, a small standing figure beside him, and a tiny, seated, floating figure above him, mountains in the background.

Arhat Vanavasin, One of the Sixteen Great Arhats, from a Set of Twenty-Three

Tibeto-Chinese · late 17th/early 18th century

View at the AIC ↗

Palette

Stone
59% of the image
Grey · text contrast 6.0:1
Terracotta
15% of the image
Red · text contrast 4.7:1
Pale stone
11% of the image
Grey · text contrast 10.4:1
Blue-grey
7% of the image
Grey · text contrast 4.8:1
Tan
4% of the image
Brown · text contrast 4.8:1
Slate blue
4% of the image
Blue · text contrast 7.2:1

Colours measured by this site from the museum image (k-means in CIELAB). Names are the nearest in our own list and describe how the colour looks, not the pigment. Text on each chip uses whichever of black or white contrasts more (WCAG ratio shown). How

Details

Artist
Tibeto-Chinese
Date
late 17th/early 18th century
Type
Painting
Medium
Pigment and gold on silk and cotton
Size
102 × 61.5 cm (40 1/8 × 24 1/4 in.)
Place
Tibet
Period
17th century
Main colour
Grey · lightness 58, colourfulness 16

Art Institute of Chicago, Alsdorf Foundation, Margaret Gentles, Frederick and Nathalie Gookin, Samuel M. Nickerson, Russell Tyson funds; Ardith Lauerman endowment. Museum record. Public domain: the museum's is_public_domain field read true when we last checked (2026-10-25); image released under CC0. Licence rules

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