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  4. Minakuchi: The Beautiful Pine Trees at Mount Hiramatsu (Minakuchi, Hiramatsuyama bisho)—No. 51, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido
A work made of color woodblock print; oban.

Minakuchi: The Beautiful Pine Trees at Mount Hiramatsu (Minakuchi, Hiramatsuyama bisho)—No. 51, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido

Utagawa Hiroshige · c. 1847/52

View at the AIC ↗

Palette

Teal
 39% of the image
Teal · text contrast 5.3:1
Duck egg
 30% of the image
Teal · text contrast 7.8:1
Pale stone
 20% of the image
Green · text contrast 10.7:1
Fawn
 5% of the image
Gold & ochre · text contrast 6.5:1
Pewter
 4% of the image
Grey · text contrast 4.6:1
Copper
 1% of the image
Brown · text contrast 4.5:1

Colours measured by this site from the museum image (k-means in CIELAB). Names are the nearest in our own list and describe how the colour looks, not the pigment. Text on each chip uses whichever of black or white contrasts more (WCAG ratio shown). How

Details

Artist
Utagawa Hiroshige
Japanese, 1797-1858
Date
c. 1847/52
Type
Print
Medium
Color woodblock print; oban
Size
21.7 × 34.3 cm (8 1/2 × 13 1/2 in.)
Place
Japan
Period
19th century
Themes
Mountains · Trees and forests
Main colour
Teal · lightness 60, colourfulness 16

Art Institute of Chicago, Gift of Mr. and Mrs. Harold G. Henderson. Museum record. Public domain. United States: Art Institute of Chicago marks it public domain (is_public_domain = True). Europe: Artist died 1858: public domain in the EU since 1 January 1929. Last checked 2026-10-31 (is_public_domain: yes). Image released by the museum under CC0. Licence rules

Works that share this palette

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The closest palettes among 5004 works, by average colour distance between the two palettes.

Oystercatchers, Utagawa Hiroshige Oystercatchers Utagawa Hiroshige, c. 1833/34 Meng Zong (Moso), from the series "Twenty-four Paragons of Filial Piety as a Mirror for Children (Nijushiko doji kagami)", Utagawa Kuniyoshi Meng Zong (Moso), from the series "Twenty-four Paragons of Filial Piety as a Mirror for Children (Nijushiko doji kagami)" Utagawa Kuniyoshi, c. 1843 Notre Dame Seen from the Quai de la Tournelle, Jean-François Raffaëlli Notre Dame Seen from the Quai de la Tournelle Jean-François Raffaëlli, c. 1897/1902 Lower Meguro (Shimo Meguro), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)", Katsushika Hokusai Lower Meguro (Shimo Meguro), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)" Katsushika Hokusai, c. 1830/33 Dashun (Taishun), from the series "Twenty-four Paragons of Filial Piety as a Mirror for Children (Nijushiko doji kagami)", Utagawa Kuniyoshi Dashun (Taishun), from the series "Twenty-four Paragons of Filial Piety as a Mirror for Children (Nijushiko doji kagami)" Utagawa Kuniyoshi, c. 1843 Nihonbashi, Shinagawa, Kawasaki, and Kanagawa, from the series "Famous Places on the Fifty-three Stations of the Tokaido, Four Stations (Tokaido gojusan eki yonshuku meisho)", Utagawa Kuniyoshi Nihonbashi, Shinagawa, Kawasaki, and Kanagawa, from the series "Famous Places on the Fifty-three Stations of the Tokaido, Four Stations (Tokaido gojusan eki yonshuku meisho)" Utagawa Kuniyoshi, c. 1830/35

More by Utagawa Hiroshige

Artist page and colour fingerprint
Full Moon over Takanawa, from the series Famous Places in the Eastern Capital, Utagawa Hiroshige Full Moon over Takanawa, from the series Famous Places in the Eastern Capital Utagawa Hiroshige, c. 1831 Moon over Ryogoku Bridge in Summer (Natsu Ryogoku no tsuki), from the series "Famous Places in Edo in the Four Seasons (Shiki Koto meisho)", Utagawa Hiroshige Moon over Ryogoku Bridge in Summer (Natsu Ryogoku no tsuki), from the series "Famous Places in Edo in the Four Seasons (Shiki Koto meisho)" Utagawa Hiroshige, c. 1832/34 Oystercatchers, Utagawa Hiroshige Oystercatchers Utagawa Hiroshige, c. 1833/34 Goose on riverbank, Utagawa Hiroshige Goose on riverbank Utagawa Hiroshige, c. 1833/34 Numazu—Dusk (Numazu—tasogare zu), from the series The Fifty-Three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi no uchi), Utagawa Hiroshige Numazu—Dusk (Numazu—tasogare zu), from the series The Fifty-Three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi no uchi) Utagawa Hiroshige, 1831-34 Willow Tree at the Gate of the Shimabara Pleasure Quarrter (Shimabara deguchi no yanagi), from the series "Famous Places in Kyoto (Kyoto meisho no uchi)", Utagawa Hiroshige Willow Tree at the Gate of the Shimabara Pleasure Quarrter (Shimabara deguchi no yanagi), from the series "Famous Places in Kyoto (Kyoto meisho no uchi)" Utagawa Hiroshige, c. 1834

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Trees in the Clouds on Layered Mountains (Jûzan umbokuzu), Nakabayashi Chikutô Trees in the Clouds on Layered Mountains (Jûzan umbokuzu) Nakabayashi Chikutô, 1853 Heart of the Andes, Frederic Edwin Church Heart of the Andes Frederic Edwin Church, 1859 Cushion Pine at Aoyama (Aoyama enza no matsu), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Katsushika Hokusai Cushion Pine at Aoyama (Aoyama enza no matsu), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) Katsushika Hokusai, ca. 1830–32 Alpine Scene, Gustave Doré Alpine Scene Gustave Doré, 1865 Landscape with Two Poplars, Wassily Kandinsky Landscape with Two Poplars Wassily Kandinsky, 1912 Mount Fuji and the Miho Pine Forest, Soga Shōhaku Mount Fuji and the Miho Pine Forest Soga Shōhaku, c. 1761-1762