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A work made of color lithograph on cream wove paper.

l'Etendard Francais

Jules Chéret · 1891

View at the AIC ↗

Palette

Putty
 66% of the image
Gold & ochre · text contrast 9.4:1
Slate
 13% of the image
Grey · text contrast 6.6:1
Fire red
 7% of the image
Red · text contrast 5.3:1
Salmon
 7% of the image
Pink · text contrast 7.1:1
Crimson
 6% of the image
Red · text contrast 6.9:1
Oxblood
 2% of the image
Brown · text contrast 13.7:1

Colours measured by this site from the museum image (k-means in CIELAB). Names are the nearest in our own list and describe how the colour looks, not the pigment. Text on each chip uses whichever of black or white contrasts more (WCAG ratio shown). How

Details

Artist
Jules Chéret
printed by Imprimerie Chaix
Date
1891
Type
Print
Medium
Color lithograph on cream wove paper
Size
123.8 × 88.1 cm (48 3/4 × 34 11/16 in.)
Place
France
Period
19th century
Main colour
Gold & ochre · lightness 64, colourfulness 25

Art Institute of Chicago, Gift of Mary A. Young. Museum record. Public domain. United States: Art Institute of Chicago marks it public domain (is_public_domain = True). Europe: Artist died 1932: public domain in the EU since 1 January 2003. Last checked 2026-10-31 (is_public_domain: yes). Image released by the museum under CC0. Licence rules

Works that share this palette

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The closest palettes among 5004 works, by average colour distance between the two palettes.

Study for The Feast of Love, Jean-Antoine Watteau Study for The Feast of Love Jean-Antoine Watteau, c. 1717 Olympia Montagne Russes, Jules Chéret Olympia Montagne Russes Jules Chéret, 1892 The disguised Arab, substituting for Habbaza, is whipped by her husband for refusing a bowl of milk, from a Tuti-nama (Tales of a Parrot): Twenty-fourth Night, Unknown artist The disguised Arab, substituting for Habbaza, is whipped by her husband for refusing a bowl of milk, from a Tuti-nama (Tales of a Parrot): Twenty-fourth Night Unknown artist, c. 1560 True View of Benten at Inokashira from the series Gekkō’s Miscellaney, Ōgata Gekkō True View of Benten at Inokashira from the series Gekkō’s Miscellaney Ōgata Gekkō, c. 1886–1899 Habbaza’s sister, who is sent to console her, discovers the disguised Arab in her place, from a Tuti-nama (Tales of a Parrot): Twenty-fourth Night, Unknown artist Habbaza’s sister, who is sent to console her, discovers the disguised Arab in her place, from a Tuti-nama (Tales of a Parrot): Twenty-fourth Night Unknown artist, c. 1560 The old procuress conveys the young man’s message of love to Mansur’s wife, from a Tuti-nama (Tales of a Parrot: Seventeenth Night, Sravana The old procuress conveys the young man’s message of love to Mansur’s wife, from a Tuti-nama (Tales of a Parrot: Seventeenth Night Sravana, c. 1560

More by Jules Chéret

Artist page and colour fingerprint
Musée Grévin, Black Magic, Jules Chéret Musée Grévin, Black Magic Jules Chéret, 1887 Champs-Élysées. Jardin de Paris, 1890, Jules Chéret Champs-Élysées. Jardin de Paris, 1890 Jules Chéret, 1890 Palais de Glace, Jules Chéret Palais de Glace Jules Chéret, 1891 Olympia Montagne Russes, Jules Chéret Olympia Montagne Russes Jules Chéret, 1892 Pantomimes lumineuses (luminous pantomimes), 1892, Jules Chéret Pantomimes lumineuses (luminous pantomimes), 1892 Jules Chéret, 1892 Olympia, the former roller coaster (Anciennes Montagnes Russes), 1892, Jules Chéret Olympia, the former roller coaster (Anciennes Montagnes Russes), 1892 Jules Chéret, 1892