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  4. Nihonbashi, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)
A work made of color woodblock print; chuban.

Nihonbashi, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)

Utagawa Hiroshige · c. 1837/42

View at the AIC ↗

Palette

Pale stone
 53% of the image
Gold & ochre · text contrast 11.3:1
Taupe
 27% of the image
Gold & ochre · text contrast 4.6:1
Tan
 11% of the image
Gold & ochre · text contrast 5.6:1
Aqua
 5% of the image
Teal · text contrast 6.7:1
Sand
 2% of the image
Gold & ochre · text contrast 7.2:1
Terracotta
 1% of the image
Red · text contrast 4.8:1

Colours measured by this site from the museum image (k-means in CIELAB). Names are the nearest in our own list and describe how the colour looks, not the pigment. Text on each chip uses whichever of black or white contrasts more (WCAG ratio shown). How

Details

Artist
Utagawa Hiroshige
Japanese, 1797-1858
Date
c. 1837/42
Type
Print
Medium
Color woodblock print; chuban
Size
16.7 × 22.9 cm (6 9/16 × 9 in.)
Place
Japan
Period
19th century
Main colour
Gold & ochre · lightness 68, colourfulness 17

Art Institute of Chicago, Clarence Buckingham Collection. Museum record. Public domain: the museum's is_public_domain field read true when we last checked (2026-10-25); image released under CC0. Licence rules

Works that share this palette

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The closest palettes among 5004 works, by average colour distance between the two palettes.

Villagers Grinding Corn, page from the Fraser Album, Unknown artist Villagers Grinding Corn, page from the Fraser Album Unknown artist, Company School, c. 1820 Dashun (Taishun), from the series "Twenty-four Paragons of Filial Piety as a Mirror for Children (Nijushiko doji kagami)", Utagawa Kuniyoshi Dashun (Taishun), from the series "Twenty-four Paragons of Filial Piety as a Mirror for Children (Nijushiko doji kagami)" Utagawa Kuniyoshi, c. 1843 The Actor Iwai Hanshiro IV as the Courtesan Agemaki in the Play Sukeroku Yukari no Hatsu-zakura, Performed at the Ichimura Theater in the Third Month, 1776, Katsukawa Shunshō The Actor Iwai Hanshiro IV as the Courtesan Agemaki in the Play Sukeroku Yukari no Hatsu-zakura, Performed at the Ichimura Theater in the Third Month, 1776 Katsukawa Shunshō, c. 1776 Two Rajput Noblemen with a Child, Unknown artist Two Rajput Noblemen with a Child Unknown artist, Late 18th century At the Circus: Work in the Ring, Henri de Toulouse-Lautrec At the Circus: Work in the Ring Henri de Toulouse-Lautrec, 1899 Page from a Copy of The Qur'an, Islamic Page from a Copy of The Qur'an Islamic, 16th/17th century

More by Utagawa Hiroshige

Artist page and colour fingerprint
Full Moon over Takanawa, from the series Famous Places in the Eastern Capital, Utagawa Hiroshige Full Moon over Takanawa, from the series Famous Places in the Eastern Capital Utagawa Hiroshige, c. 1831 Moon over Ryogoku Bridge in Summer (Natsu Ryogoku no tsuki), from the series "Famous Places in Edo in the Four Seasons (Shiki Koto meisho)", Utagawa Hiroshige Moon over Ryogoku Bridge in Summer (Natsu Ryogoku no tsuki), from the series "Famous Places in Edo in the Four Seasons (Shiki Koto meisho)" Utagawa Hiroshige, c. 1832/34 Oystercatchers, Utagawa Hiroshige Oystercatchers Utagawa Hiroshige, c. 1833/34 Goose on riverbank, Utagawa Hiroshige Goose on riverbank Utagawa Hiroshige, c. 1833/34 Numazu—Dusk (Numazu—tasogare zu), from the series The Fifty-Three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi no uchi), Utagawa Hiroshige Numazu—Dusk (Numazu—tasogare zu), from the series The Fifty-Three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi no uchi) Utagawa Hiroshige, 1831-34 Willow Tree at the Gate of the Shimabara Pleasure Quarrter (Shimabara deguchi no yanagi), from the series "Famous Places in Kyoto (Kyoto meisho no uchi)", Utagawa Hiroshige Willow Tree at the Gate of the Shimabara Pleasure Quarrter (Shimabara deguchi no yanagi), from the series "Famous Places in Kyoto (Kyoto meisho no uchi)" Utagawa Hiroshige, c. 1834