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A work made of oil on canvas.

Saint Romanus of Antioch and Saint Barulas

Francisco de Zurbarán · 1638

View at the AIC ↗

Palette

Dark chocolate
 46% of the image
Black · text contrast 15.4:1
Warm grey
 26% of the image
Grey · text contrast 5.2:1
Putty
 15% of the image
Gold & ochre · text contrast 8.0:1
Sepia
 10% of the image
Brown · text contrast 9.3:1
Raw umber
 2% of the image
Brown · text contrast 5.5:1
Chestnut
 1% of the image
Red · text contrast 10.6:1

Colours measured by this site from the museum image (k-means in CIELAB). Names are the nearest in our own list and describe how the colour looks, not the pigment. Text on each chip uses whichever of black or white contrasts more (WCAG ratio shown). How

Details

Artist
Francisco de Zurbarán
Date
1638
Type
Painting
Medium
Oil on canvas
Size
246.5 × 185.4 cm (97 1/16 × 73 in.)
Place
Spain
Period
17th century
Themes
Landscapes · Bible stories and saints
Main colour
Black · lightness 36, colourfulness 10

Art Institute of Chicago, Gift of Mrs. Chauncey McCormick and Mrs. Richard E. Danielson. Museum record. Public domain: the museum's is_public_domain field read true when we last checked (2026-10-31); image released under CC0. Licence rules

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The Watermill with the Great Red Roof, Meindert Hobbema The Watermill with the Great Red Roof Meindert Hobbema, c. 1665 Portrait of a Woman, Jean-Léon Gérôme Portrait of a Woman Jean-Léon Gérôme, 1851 The Bird Catcher, Thomas Couture The Bird Catcher Thomas Couture, c. 1857 Pierrot Catching a Fly, Philippe Mercier Pierrot Catching a Fly Philippe Mercier, 1740–50 Merry Company on a Terrace, Jan Steen Merry Company on a Terrace Jan Steen, ca. 1670 El Maragato Threatens Friar Pedro de Zaldivia with His Gun, Francisco Goya El Maragato Threatens Friar Pedro de Zaldivia with His Gun Francisco Goya, c. 1806

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The Crucifixion, Francisco de Zurbarán The Crucifixion Francisco de Zurbarán, 1627 The Young Virgin, Francisco de Zurbarán The Young Virgin Francisco de Zurbarán, ca. 1632–33

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