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A work made of etching and engraving on heavy ivory laid paper.

The Smoking Fire, plate 6 from Imaginary Prisons

Giovanni Battista Piranesi · 1761

View at the AIC ↗

Palette

Chalk
 53% of the image
White & cream · text contrast 16.1:1
Taupe
 13% of the image
Brown · text contrast 5.7:1
Iron
 13% of the image
Brown · text contrast 9.1:1
Stone
 9% of the image
Grey · text contrast 5.7:1
Charcoal
 7% of the image
Black · text contrast 12.5:1
Pale stone
 6% of the image
Grey · text contrast 10.1:1

Colours measured by this site from the museum image (k-means in CIELAB). Names are the nearest in our own list and describe how the colour looks, not the pigment. Text on each chip uses whichever of black or white contrasts more (WCAG ratio shown). How

Details

Artist
Giovanni Battista Piranesi
Italian, 1720-1778
Date
1761
Type
Print
Medium
Etching and engraving on heavy ivory laid paper
Size
Image: 53.7 × 39.4 cm (21 3/16 × 15 9/16 in.); Plate: 54.4 × 40.1 cm (21 7/16 × 15 13/16 in.); Sheet: 78.7 × 57.7 cm (31 × 22 3/4 in.)
Place
Italy
Period
18th century
Main colour
White & cream · lightness 70, colourfulness 7

Art Institute of Chicago, The Wallace L. DeWolf and Joseph Brooks Fair Collections. Museum record. Public domain: the museum's is_public_domain field read true when we last checked (2026-10-25); image released under CC0. Licence rules

Works that share this palette

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The closest palettes among 5004 works, by average colour distance between the two palettes.

The Gothic Arch, plate 14 from Imaginary Prisons, Giovanni Battista Piranesi The Gothic Arch, plate 14 from Imaginary Prisons Giovanni Battista Piranesi, 1761 Chapel and Pilgrim's Hospice at Harambeltz (Basses-Pyrenees), Odilon Redon Chapel and Pilgrim's Hospice at Harambeltz (Basses-Pyrenees) Odilon Redon, 1866 Dancing Giant, from Disparates, published as plate 4 in Los Proverbios, Francisco Goya Dancing Giant, from Disparates, published as plate 4 in Los Proverbios Francisco Goya, 1816–19, published 1864 The Drawbridge, plate 7 from Imaginary Prisons, Giovanni Battista Piranesi The Drawbridge, plate 7 from Imaginary Prisons Giovanni Battista Piranesi, 1761 Attraction II, Edvard Munch Attraction II Edvard Munch, 1895 Phaeton, from "The Four Disgracers", Hendrik Goltzius Phaeton, from "The Four Disgracers" Hendrik Goltzius, 1588

More by Giovanni Battista Piranesi

Artist page and colour fingerprint
The Round Tower, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi The Round Tower, from "Carceri d'invenzione" (Imaginary Prisons) Giovanni Battista Piranesi, ca. 1749–50 View of St. Peter's Basilica and Piazza in the Vatican, from Views of Rome, Giovanni Battista Piranesi View of St. Peter's Basilica and Piazza in the Vatican, from Views of Rome Giovanni Battista Piranesi, 1748 The Skeletons, Giovanni Battista Piranesi The Skeletons Giovanni Battista Piranesi, 1750 View of the Temple of Jupiter Tonans [Jupiter the Thunderer], from Views of Rome, Giovanni Battista Piranesi View of the Temple of Jupiter Tonans [Jupiter the Thunderer], from Views of Rome Giovanni Battista Piranesi, 1750/59 The Lion Bas-Reliefs, plate 5 from Imaginary Prisons, Giovanni Battista Piranesi The Lion Bas-Reliefs, plate 5 from Imaginary Prisons Giovanni Battista Piranesi, 1761 The Drawbridge, plate 7 from Imaginary Prisons, Giovanni Battista Piranesi The Drawbridge, plate 7 from Imaginary Prisons Giovanni Battista Piranesi, 1761