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A work made of oil on canvas.

Portrait of a Man

Follower of Anthony van Dyck · 1625–30

View at the AIC ↗

Palette

Soot
 77% of the image
Black · text contrast 15.9:1
Charcoal
 15% of the image
Black · text contrast 13.4:1
Graphite
 3% of the image
Grey · text contrast 10.7:1
Smoke
 2% of the image
Grey · text contrast 5.3:1
Iron
 2% of the image
Grey · text contrast 8.3:1
Ash
 1% of the image
Grey · text contrast 6.7:1

Colours measured by this site from the museum image (k-means in CIELAB). Names are the nearest in our own list and describe how the colour looks, not the pigment. Text on each chip uses whichever of black or white contrasts more (WCAG ratio shown). How

Details

Artist
Follower of Anthony van Dyck
Date
1625–30
Type
Painting
Medium
Oil on canvas
Size
108 × 80 cm (42 1/2 × 31 1/2 in.); Framed: 124.5 × 99.1 × 10.2 cm (49 × 39 × 4 in.)
Place
Genoa
Period
17th century
Themes
Portraits · Interiors
Main colour
Black · lightness 16, colourfulness 0

Art Institute of Chicago, Max and Leola Epstein Collection. Museum record. Public domain: the museum's is_public_domain field read true when we last checked (2026-10-25); image released under CC0. Licence rules

Works that share this palette

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The closest palettes among 5004 works, by average colour distance between the two palettes.

Portrait of a Man, Antonio María Esquivel Portrait of a Man Antonio María Esquivel, 1843 Bacchic Revels, Johann Georg Platzer Bacchic Revels Johann Georg Platzer, c. 1740 Ewer in the Form of a Phoenix, Vietnam artist Ewer in the Form of a Phoenix Vietnam artist, ca. 15th–16th century On Guard, Ernest Hébert On Guard Ernest Hébert, 1860–70 Prince Otto von Bismarck, Franz von Lenbach Prince Otto von Bismarck Franz von Lenbach, 1896 Classical Landscape with Two Women and a Man on a Path, Francisque Millet Classical Landscape with Two Women and a Man on a Path Francisque Millet, c. 1660–c. 1670

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