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A work made of pen and brown ink, over touches of graphite, on cream wove paper.

Scenes on the Kibble near Little Milton Hall, Lancashire

J. M. W. Turner · n.d.

View at the AIC ↗

Palette

Ivory
 81% of the image
White & cream · text contrast 14.2:1
Chalk
 8% of the image
White & cream · text contrast 16.5:1
Putty
 5% of the image
Gold & ochre · text contrast 9.9:1
Fawn
 3% of the image
Gold & ochre · text contrast 7.8:1
Oyster
 2% of the image
White & cream · text contrast 14.0:1
Taupe
 1% of the image
Gold & ochre · text contrast 4.7:1

Colours measured by this site from the museum image (k-means in CIELAB). Names are the nearest in our own list and describe how the colour looks, not the pigment. Text on each chip uses whichever of black or white contrasts more (WCAG ratio shown). How

Details

Artist
J. M. W. Turner
English, 1775-1851
Date
n.d.
Type
Drawing & watercolour
Medium
Pen and brown ink, over touches of graphite, on cream wove paper
Size
12.4 × 33.4 cm (4 15/16 × 13 3/16 in.)
Place
England
Period
18th century
Main colour
White & cream · lightness 88, colourfulness 14

Art Institute of Chicago, The Leonora Hall Gurley Memorial Collection. Museum record. Public domain: the museum's is_public_domain field read true when we last checked (2026-10-25); image released under CC0. Licence rules

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The closest palettes among 5004 works, by average colour distance between the two palettes.

Studies of Trees and Foliage, Pierre-Auguste Renoir Studies of Trees and Foliage Pierre-Auguste Renoir, 1884/87 Landscape - Hillside in Gruchy, Normandy, Jean-François Millet Landscape - Hillside in Gruchy, Normandy Jean-François Millet, 1869/70 Sketch for Autumn Moon at Ishiyama Temple (Ishiyama no shugetsu), from the series "Eight Views in Omi Province (Omi hakkei)", Utagawa Hiroshige II (Shigenobu) Sketch for Autumn Moon at Ishiyama Temple (Ishiyama no shugetsu), from the series "Eight Views in Omi Province (Omi hakkei)" Utagawa Hiroshige II (Shigenobu), c. 1859 Linger, longer, loo, plate seven from Yvette Guilbert, Henri de Toulouse-Lautrec Linger, longer, loo, plate seven from Yvette Guilbert Henri de Toulouse-Lautrec, 1898, printed 1930 The Fall of the River Tumble (recto); View of Fastraly (verso), J. M. W. Turner The Fall of the River Tumble (recto); View of Fastraly (verso) J. M. W. Turner, 1797 Academic Male Nude, Georges Seurat Academic Male Nude Georges Seurat, 1877

More by J. M. W. Turner

Artist page and colour fingerprint
Male Nude Stooping, J. M. W. Turner Male Nude Stooping J. M. W. Turner, 1790/99 St. Peter’s Seen Through the Porta Angelica, J. M. W. Turner St. Peter’s Seen Through the Porta Angelica J. M. W. Turner, n.d. View in the St. Gotthard Pass, Switzerland, J. M. W. Turner View in the St. Gotthard Pass, Switzerland J. M. W. Turner, 1842 Gurnet's Head, J. M. W. Turner Gurnet's Head J. M. W. Turner, n.d. The Fall of the River Tumble (recto); View of Fastraly (verso), J. M. W. Turner The Fall of the River Tumble (recto); View of Fastraly (verso) J. M. W. Turner, 1797 Sunset and Moonrise, J. M. W. Turner Sunset and Moonrise J. M. W. Turner, c. 1832