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A work made of black conté crayon, with erasing, on ivory laid paper, laid down on cream laminate board.

Woman with a Muff

Georges Seurat · c. 1884

View at the AIC ↗

Palette

Pale stone
 78% of the image
Gold & ochre · text contrast 11.9:1
Smoke
 7% of the image
Brown · text contrast 6.9:1
Taupe
 6% of the image
Brown · text contrast 5.2:1
Iron
 5% of the image
Brown · text contrast 9.2:1
Warm grey
 3% of the image
Grey · text contrast 4.9:1
Mushroom
 2% of the image
Gold & ochre · text contrast 7.0:1

Colours measured by this site from the museum image (k-means in CIELAB). Names are the nearest in our own list and describe how the colour looks, not the pigment. Text on each chip uses whichever of black or white contrasts more (WCAG ratio shown). How

Details

Artist
Georges Seurat
French, 1859-1891
Date
c. 1884
Type
Drawing & watercolour
Medium
Black Conté crayon, with erasing, on ivory laid paper, laid down on cream laminate board
Size
31.3 × 23.8 cm (12 3/8 × 9 3/8 in.)
Place
France
Period
19th century
Main colour
Gold & ochre · lightness 74, colourfulness 13

Art Institute of Chicago, Gift of Robert Allerton. Museum record. Public domain: the museum's is_public_domain field read true when we last checked (2026-10-25); image released under CC0. Licence rules

Works that share this palette

Search by colour

The closest palettes among 5004 works, by average colour distance between the two palettes.

Weeping Tree, Vincent van Gogh Weeping Tree Vincent van Gogh, 1889 Landscape with a Double Spruce, Albrecht Altdorfer Landscape with a Double Spruce Albrecht Altdorfer, ca. 1521–22 The Round Tower, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi The Round Tower, from "Carceri d'invenzione" (Imaginary Prisons) Giovanni Battista Piranesi, ca. 1749–50 Three Oriental Figures (Jacob and Laban?), Rembrandt van Rijn Three Oriental Figures (Jacob and Laban?) Rembrandt van Rijn, 1641 At the Circus: Trained Pony and Baboon, Henri de Toulouse-Lautrec At the Circus: Trained Pony and Baboon Henri de Toulouse-Lautrec, 1899 Fuchu: View of the Licensed Quarter in Nichomachi (Fuchu, Nichomachi kuruwa no zu), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido), Utagawa Hiroshige Fuchu: View of the Licensed Quarter in Nichomachi (Fuchu, Nichomachi kuruwa no zu), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) Utagawa Hiroshige, c. 1837/42

More by Georges Seurat

Artist page and colour fingerprint
Landscape, Georges Seurat Landscape Georges Seurat, c. 1881 Academic Male Nude, Georges Seurat Academic Male Nude Georges Seurat, 1877 Roses in a Vase, Georges Seurat Roses in a Vase Georges Seurat, 1881/83 The Zone (Outside the City Walls), Georges Seurat The Zone (Outside the City Walls) Georges Seurat, 1882–83 Aman-Jean (Portrait of Edmond François Aman-Jean), Georges Seurat Aman-Jean (Portrait of Edmond François Aman-Jean) Georges Seurat, 1882–83 The Stone Breaker, Georges Seurat The Stone Breaker Georges Seurat, c. 1882