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A work made of oil on canvas.

Historians of the Tribe

Frederic Remington · 1890–99

View at the AIC ↗

Palette

Tan
 38% of the image
Gold & ochre · text contrast 5.5:1
Bistre
 25% of the image
Black · text contrast 15.7:1
Bronze
 21% of the image
Brown · text contrast 6.5:1
Umber
 8% of the image
Brown · text contrast 11.2:1
Putty
 5% of the image
Gold & ochre · text contrast 9.6:1
Biscuit
 2% of the image
Gold & ochre · text contrast 10.3:1

Colours measured by this site from the museum image (k-means in CIELAB). Names are the nearest in our own list and describe how the colour looks, not the pigment. Text on each chip uses whichever of black or white contrasts more (WCAG ratio shown). How

Details

Artist
Frederic Remington
Date
1890–99
Type
Painting
Medium
Oil on canvas
Size
62.2 × 111.4 cm (24 1/4 × 43 7/8 in.)
Place
New York
Period
19th century
Themes
Portraits
Main colour
Gold & ochre · lightness 42, colourfulness 28

Art Institute of Chicago, George F. Harding Collection. Museum record. Public domain: the museum's is_public_domain field read true when we last checked (2026-10-25); image released under CC0. Licence rules

Works that share this palette

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The closest palettes among 5004 works, by average colour distance between the two palettes.

Mrs. Hugh Morgan and Her Daughter, Angelica Kauffmann Mrs. Hugh Morgan and Her Daughter Angelica Kauffmann, c. 1771 Wooded Landscape, Gustave Courbet Wooded Landscape Gustave Courbet, 1860–65 Rip Van Winkle, John Quidor Rip Van Winkle John Quidor, 1829 Two Cows and a Young Bull beside a Fence in a Meadow, Paulus Potter Two Cows and a Young Bull beside a Fence in a Meadow Paulus Potter, 1647 Festival in Piazza Navona, Giovanni Paolo Panini Festival in Piazza Navona Giovanni Paolo Panini, 1729 Old Virginia Home, David Gilmour Blythe Old Virginia Home David Gilmour Blythe, 1864

More by Frederic Remington

Artist page and colour fingerprint
The Mexican Major, Frederic Remington The Mexican Major Frederic Remington, 1889 The Advance-Guard, or The Military Sacrifice (The Ambush), Frederic Remington The Advance-Guard, or The Military Sacrifice (The Ambush) Frederic Remington, 1890 A Mexican Vaquero, Frederic Remington A Mexican Vaquero Frederic Remington, 1890 Slave Market, Frederic Remington Slave Market Frederic Remington, 1893 First and Best Camp of the Trip, Frederic Remington First and Best Camp of the Trip Frederic Remington, 1895 Paddling the Wounded British Officer, Frederic Remington Paddling the Wounded British Officer Frederic Remington, 1897

More like this by theme

All portraits
Portrait of Mrs. Charles L. Hutchinson, Jules-Élie Delaunay Portrait of Mrs. Charles L. Hutchinson Jules-Élie Delaunay, 1890 Woman in Front of a Still Life by Cezanne, Paul Gauguin Woman in Front of a Still Life by Cezanne Paul Gauguin, 1890 Portrait of Julie Manet, Berthe Morisot Portrait of Julie Manet Berthe Morisot, 1890 Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints, Portrait of M. Félix Fénéon in 1890, Paul Signac Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints, Portrait of M. Félix Fénéon in 1890 Paul Signac, 1890 Portrait of the Artist's Sister, Georges Lemmen Portrait of the Artist's Sister Georges Lemmen, 1891 Portrait of the Artist’s Mother (Eve), Paul Gauguin Portrait of the Artist’s Mother (Eve) Paul Gauguin, 1889/90