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Autumn Forest by Dwight Blaney

Autumn Forest

Dwight Blaney · 1924

View at Cleveland ↗

Palette

Dusty rose
 30% of the image
Pink · text contrast 5.6:1
Blue-grey
 23% of the image
Grey · text contrast 5.0:1
Straw
 19% of the image
Gold & ochre · text contrast 10.8:1
Putty
 17% of the image
Gold & ochre · text contrast 9.7:1
Terracotta
 6% of the image
Red · text contrast 4.7:1
Khaki
 6% of the image
Green · text contrast 6.3:1

Colours measured by this site from the museum image (k-means in CIELAB). Names are the nearest in our own list and describe how the colour looks, not the pigment. Text on each chip uses whichever of black or white contrasts more (WCAG ratio shown). How

Details

Artist
Dwight Blaney
American, 1865–1944
Date
1924
Type
Drawing & watercolour
Medium
Watercolor
Size
Image: 37.5 x 53 cm (14 3/4 x 20 7/8 in.)
Place
America
Period
20th century
Themes
Trees and forests
Main colour
Gold & ochre · lightness 62, colourfulness 20

Cleveland Museum of Art. Museum record. Public domain. United States: Cleveland Museum of Art marks it public domain (share_license_status = CC0). Europe: Artist died 1944: public domain in the EU since 1 January 2015. Last checked 2026-10-31 (share_license_status is CC0: yes). Image released by the museum under CC0. Licence rules

Works that share this palette

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The closest palettes among 5004 works, by average colour distance between the two palettes.

Mahrusa’s marriage to the prefect of the city, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Night, Unknown artist Mahrusa’s marriage to the prefect of the city, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Night Unknown artist, c. 1560 The goldsmith judged; the bear cubs trained by the carpenter as though they were his sons, from a Tuti-nama (Tales of a Parrot): Third Night, Unknown artist The goldsmith judged; the bear cubs trained by the carpenter as though they were his sons, from a Tuti-nama (Tales of a Parrot): Third Night Unknown artist, c. 1560 The wife of the son of the vizier brings the magic wooden parrot to her lover, the monk, who exchanges it for the replica, from a Tuti-nama (Tales of a Parrot): Tenth Night, Lalu The wife of the son of the vizier brings the magic wooden parrot to her lover, the monk, who exchanges it for the replica, from a Tuti-nama (Tales of a Parrot): Tenth Night Lalu, c. 1560 Habbaza’s sister, who is sent to console her, discovers the disguised Arab in her place, from a Tuti-nama (Tales of a Parrot): Twenty-fourth Night, Unknown artist Habbaza’s sister, who is sent to console her, discovers the disguised Arab in her place, from a Tuti-nama (Tales of a Parrot): Twenty-fourth Night Unknown artist, c. 1560 The king plucks fruit from the Tree of Life with his own hands and feeds it to a lady, from a Tuti-nama (Tales of a Parrot): Ninth Night, Suraju The king plucks fruit from the Tree of Life with his own hands and feeds it to a lady, from a Tuti-nama (Tales of a Parrot): Ninth Night Suraju, c. 1560 Cushion Pine at Aoyama (Aoyama enza no matsu), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Katsushika Hokusai Cushion Pine at Aoyama (Aoyama enza no matsu), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) Katsushika Hokusai, ca. 1830–32

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