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Portrait of Charlotte Duchesne by Philippe de Champaigne

Portrait of Charlotte Duchesne

Philippe de Champaigne · ca. 1628

View at The Met ↗

Palette

Fawn
 64% of the image
Gold & ochre · text contrast 8.5:1
Mushroom
 15% of the image
Gold & ochre · text contrast 6.5:1
Taupe
 10% of the image
Gold & ochre · text contrast 4.4:1
Pearl grey
 6% of the image
White & cream · text contrast 14.2:1
Pale stone
 3% of the image
White & cream · text contrast 12.2:1
Smoke
 2% of the image
Brown · text contrast 6.0:1

Colours measured by this site from the museum image (k-means in CIELAB). Names are the nearest in our own list and describe how the colour looks, not the pigment. Text on each chip uses whichever of black or white contrasts more (WCAG ratio shown). How

Details

Artist
Philippe de Champaigne
French, Brussels 1602–1674 Paris
Date
ca. 1628
Type
Drawing & watercolour
Medium
Black chalk, heightened with white, with touches of red chalk
Size
8 11/16 x 7 11/16 in. (22 x 19.6 cm.)
Period
17th century
Themes
Portraits
Main colour
Gold & ochre · lightness 69, colourfulness 18

The Metropolitan Museum of Art, Purchase, Lila Acheson Wallace Gift; Gifts in memory of Jacob Bean, Lawrence Turcic, and Howard J. Barnet; and The Schiff Foundation, David L. Klein Jr. Memorial Foundation Inc. and Harry Liebovitz Gifts, 1994. Museum record. Public domain: the museum's isPublicDomain field read true when we last checked (2026-10-25); image released under CC0. Licence rules

Works that share this palette

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The closest palettes among 5004 works, by average colour distance between the two palettes.

Fishing off Scarborough, Winslow Homer Fishing off Scarborough Winslow Homer, 1882 Cottage among Trees, Rembrandt Cottage among Trees Rembrandt, ca. 1650 Heads of Tahitian Women, Frontal and Profile Views, Paul Gauguin Heads of Tahitian Women, Frontal and Profile Views Paul Gauguin, 1891/93 Jockey, Hilaire Germain Edgar Degas Jockey Hilaire Germain Edgar Degas, 1866–68 Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso), Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia) Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso) Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia), 1435–38 Saada, the Wife of Abraham Ben-Chimol, and Préciada, One of Their Daughters, Eugène Delacroix Saada, the Wife of Abraham Ben-Chimol, and Préciada, One of Their Daughters Eugène Delacroix, 1832

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