InspiredBy
✨ Surprise ♡ 0
  1. Home
  2. Prints
  3. In proof of true love, a watercarrier skeleton arguing with a woman (Posada); two skeleton angels in upper corners (Manilla)
In proof of true love, a watercarrier skeleton arguing with a woman (Posada); two skeleton angels in upper corners (Manilla) by José Guadalupe Posada

In proof of true love, a watercarrier skeleton arguing with a woman (Posada); two skeleton angels in upper corners (Manilla)

José Guadalupe Posada · ca. 1890–96

View at The Met ↗

Palette

Blue-grey
41% of the image
Grey · text contrast 4.7:1
Pewter
30% of the image
Grey · text contrast 5.1:1
Slate
13% of the image
Grey · text contrast 7.4:1
Ash
7% of the image
Grey · text contrast 5.4:1
Linen
7% of the image
White & cream · text contrast 14.6:1
Pearl grey
2% of the image
Grey · text contrast 11.4:1

Colours measured by this site from the museum image (k-means in CIELAB). Names are the nearest in our own list and describe how the colour looks, not the pigment. Text on each chip uses whichever of black or white contrasts more (WCAG ratio shown). How

Details

Artist
José Guadalupe Posada
Mexican, Aguascalientes 1852–1913 Mexico City
Date
ca. 1890–96
Type
Print
Medium
Type-metal engraving and letterpress
Size
Sheet: 15 3/4 × 11 13/16 in. (40 × 30 cm)
Period
19th century
Main colour
Grey · lightness 52, colourfulness 10

The Metropolitan Museum of Art, The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1946. Museum record. Public domain: the museum's isPublicDomain field read true when we last checked (2026-10-25); image released under CC0. Licence rules

Works that share this palette

Search by colour

The closest palettes among 5004 works, by average colour distance between the two palettes.