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Madame Very Restaurateur, Palais Royal Paris by Thomas Rowlandson

Madame Very Restaurateur, Palais Royal Paris

Thomas Rowlandson · 1814

View at the National Gallery of Art ↗

Palette

Pale stone
 53% of the image
Green · text contrast 12.3:1
Stone
 22% of the image
Green · text contrast 6.1:1
Taupe
 10% of the image
Brown · text contrast 6.2:1
Lemon
 7% of the image
Yellow · text contrast 9.3:1
Khaki
 5% of the image
Gold & ochre · text contrast 6.3:1
Rose
 3% of the image
Red · text contrast 5.4:1

Colours measured by this site from the museum image (k-means in CIELAB). Names are the nearest in our own list and describe how the colour looks, not the pigment. Text on each chip uses whichever of black or white contrasts more (WCAG ratio shown). How

Details

Artist
Thomas Rowlandson
1756–1827
Date
1814
Type
Print
Medium
hand-colored etching
Size
sheet: 36.6 × 24.9 cm (14 7/16 × 9 13/16 in.)
Place
British
Period
19th century
Themes
Cities and streets
Main colour
Green · lightness 72, colourfulness 20

National Gallery of Art, Washington, Rosenwald Collection. Museum record. Public domain. United States: National Gallery of Art marks it open access (published_images.openaccess = 1: public domain, CC0). Europe: Artist died 1827: public domain in the EU since 1 January 1898. Last checked 2026-10-31 (published_images.openaccess = 1: yes). Image released by the museum under CC0. Licence rules

Works that share this palette

Search by colour

The closest palettes among 5004 works, by average colour distance between the two palettes.

The Holy Family, Saint Joseph with a Book, Giovanni Battista Tiepolo The Holy Family, Saint Joseph with a Book Giovanni Battista Tiepolo, 1750–59 Numazu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido), Utagawa Hiroshige Numazu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) Utagawa Hiroshige, c. 1837/42 Yoshiwara: View of Fuji on the Left from Nawate (Yoshiwara, hidari Fuji no Nawate), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido), Utagawa Hiroshige Yoshiwara: View of Fuji on the Left from Nawate (Yoshiwara, hidari Fuji no Nawate), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) Utagawa Hiroshige, c. 1837/42 Women's Bathhouse and Laundry, Kitao Shigemasa Women's Bathhouse and Laundry Kitao Shigemasa, Mid-18th to early 19th century Totsuka, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido), Utagawa Hiroshige Totsuka, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) Utagawa Hiroshige, c. 1837/42 Zhang Xiao and Zhang Li (Cho Ko, Cho Rei), from the series "Twenty-four Paragons of Filial Piety in China (Morokoshi nijushiko)", Utagawa Kuniyoshi Zhang Xiao and Zhang Li (Cho Ko, Cho Rei), from the series "Twenty-four Paragons of Filial Piety in China (Morokoshi nijushiko)" Utagawa Kuniyoshi, c. 1848/50

More by Thomas Rowlandson

Artist page and colour fingerprint
The Reconciliation, or The Return from Scotland, Thomas Rowlandson The Reconciliation, or The Return from Scotland Thomas Rowlandson, 1785 Slugs in a Sawpit, Thomas Rowlandson Slugs in a Sawpit Thomas Rowlandson, 1791 A Militia Meeting, Thomas Rowlandson A Militia Meeting Thomas Rowlandson, probably 1799 Two Strings to Your Bow, Thomas Rowlandson Two Strings to Your Bow Thomas Rowlandson, 1800 A Money Scrivener, Thomas Rowlandson A Money Scrivener Thomas Rowlandson, 1801 Miseries of London, Thomas Rowlandson Miseries of London Thomas Rowlandson, published 1807

More like this by theme

All cities and streets
Conflagration of the Masonic Hall, Chestnut Street, Philadelphia, Pennsylvania, Samuel Jones Conflagration of the Masonic Hall, Chestnut Street, Philadelphia, Pennsylvania Samuel Jones, 1819 Kintai Bridge in Suō Province (Suō no kuni Kintaibashi), from the series Remarkable Views of Bridges in Various Provinces (Shokoku meikyō kiran), Katsushika Hokusai Kintai Bridge in Suō Province (Suō no kuni Kintaibashi), from the series Remarkable Views of Bridges in Various Provinces (Shokoku meikyō kiran) Katsushika Hokusai, ca. 1830 The Movings, Louis-Léopold Boilly The Movings Louis-Léopold Boilly, 1822 Viewing Sunset over the Ryogoku Bridge from the Onmaya Embankment (Onmayagashi yori Ryogokubashi sekiyo o miru), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)", Katsushika Hokusai Viewing Sunset over the Ryogoku Bridge from the Onmaya Embankment (Onmayagashi yori Ryogokubashi sekiyo o miru), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)" Katsushika Hokusai, c. 1830/33 Nihonbashi Bridge in Edo (Edo Nihonbashi), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)", Katsushika Hokusai Nihonbashi Bridge in Edo (Edo Nihonbashi), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)" Katsushika Hokusai, c. 1830/33 Threatening Sky, Bay of New York, Thomas Chambers Threatening Sky, Bay of New York Thomas Chambers, mid 19th century