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Jeanne Samary by Pierre-Auguste Renoir

Jeanne Samary

Pierre-Auguste Renoir · 1878

View at the National Gallery of Art ↗

Palette

Warm grey
 57% of the image
Grey · text contrast 5.4:1
Putty
 24% of the image
Gold & ochre · text contrast 9.0:1
Tangerine
 7% of the image
Orange · text contrast 5.3:1
Apricot
 6% of the image
Gold & ochre · text contrast 9.3:1
Rust
 4% of the image
Red · text contrast 5.6:1
Khaki
 1% of the image
Gold & ochre · text contrast 7.0:1

Colours measured by this site from the museum image (k-means in CIELAB). Names are the nearest in our own list and describe how the colour looks, not the pigment. Text on each chip uses whichever of black or white contrasts more (WCAG ratio shown). How

Details

Artist
Pierre-Auguste Renoir
1841–1919
Date
1878
Type
Painting
Medium
oil on canvas
Size
overall (including taped edges): 19 x 17.8 cm (7 1/2 x 7 in.)
Place
French
Period
19th century
Main colour
Grey · lightness 62, colourfulness 17

National Gallery of Art, Washington, Ailsa Mellon Bruce Collection. Museum record. Public domain. United States: National Gallery of Art marks it open access (published_images.openaccess = 1: public domain, CC0). Europe: Artist died 1919: public domain in the EU since 1 January 1990. Last checked 2026-10-31 (published_images.openaccess = 1: yes). Image released by the museum under CC0. Licence rules

Works that share this palette

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The closest palettes among 5004 works, by average colour distance between the two palettes.

Shahr-Arai’s husband bends to kiss his wife who feigns sleep, from a Tuti-nama (Tales of a Parrot): Fortieth Night, Unknown artist Shahr-Arai’s husband bends to kiss his wife who feigns sleep, from a Tuti-nama (Tales of a Parrot): Fortieth Night Unknown artist, c. 1560 The old man eats of the fruit of the Tree of Life, but drops dead, from a Tuti-nama (Tales of a Parrot): Ninth Night, Lalu The old man eats of the fruit of the Tree of Life, but drops dead, from a Tuti-nama (Tales of a Parrot): Ninth Night Lalu, c. 1560 The Parrot Addresses Khujasta at the Beginning of the Eleventh Night, from a Tuti-nama (Tales of a Parrot), Banavari 2 The Parrot Addresses Khujasta at the Beginning of the Eleventh Night, from a Tuti-nama (Tales of a Parrot) Banavari 2, c. 1560 Champs-Élysées. Jardin de Paris, 1890, Jules Chéret Champs-Élysées. Jardin de Paris, 1890 Jules Chéret, 1890 Study for The Feast of Love, Jean-Antoine Watteau Study for The Feast of Love Jean-Antoine Watteau, c. 1717 The Raja’s daughter, born with three breasts, accompanies her blind husband and his hunchback guide on a journey, from a Tuti-nama (Tales of a Parrot): Forty-second Night, Unknown artist The Raja’s daughter, born with three breasts, accompanies her blind husband and his hunchback guide on a journey, from a Tuti-nama (Tales of a Parrot): Forty-second Night Unknown artist, c. 1560

More by Pierre-Auguste Renoir

Artist page and colour fingerprint
Vase of Flowers, Pierre-Auguste Renoir Vase of Flowers Pierre-Auguste Renoir, May 1857 Mademoiselle Sicot, Pierre-Auguste Renoir Mademoiselle Sicot Pierre-Auguste Renoir, 1865 Woman Seated in a Chair (recto); Woman in a Chair, Seen from the Back (verso), Pierre-Auguste Renoir Woman Seated in a Chair (recto); Woman in a Chair, Seen from the Back (verso) Pierre-Auguste Renoir, c. 1883 Woman at the Piano, Pierre-Auguste Renoir Woman at the Piano Pierre-Auguste Renoir, 1875–76 Lunch at the Restaurant Fournaise (The Rowers' Lunch), Pierre-Auguste Renoir Lunch at the Restaurant Fournaise (The Rowers' Lunch) Pierre-Auguste Renoir, 1875 Bather, Pierre-Auguste Renoir Bather Pierre-Auguste Renoir, c. 1885