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Kumasaka by Yoshitoshi

Kumasaka

Yoshitoshi · 1887-01-06

View at the Rijksmuseum ↗

Palette

Ivory
 53% of the image
White & cream · text contrast 13.2:1
Navy
 16% of the image
Blue · text contrast 14.7:1
Denim
 14% of the image
Blue · text contrast 7.7:1
Madder
 8% of the image
Red · text contrast 7.3:1
Pewter
 7% of the image
Grey · text contrast 4.4:1
Tan
 2% of the image
Gold & ochre · text contrast 5.8:1

Colours measured by this site from the museum image (k-means in CIELAB). Names are the nearest in our own list and describe how the colour looks, not the pigment. Text on each chip uses whichever of black or white contrasts more (WCAG ratio shown). How

Details

Artist
Yoshitoshi
1839–1892
Date
1887-01-06
Type
Print
Medium
color woodcut, paper
Size
height 374 mm x width 254 mm
Place
Japan
Period
19th century
Main colour
White & cream · lightness 61, colourfulness 20

Rijksmuseum. Museum record. Public domain. United States: Dated 1887 or earlier: published before 1931 (Rijksmuseum: edmRights=http://creativecommons.org/publicdomain/mark/1.0/; image: Public Domai). Europe: Artist died 1892: public domain in the EU since 1 January 1963. Last checked 2026-10-31 (rights statement is public domain: yes). Image released by the Rijksmuseum as public domain (CC0). Licence rules

Works that share this palette

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The closest palettes among 5004 works, by average colour distance between the two palettes.

Black melon, Kamisaka Sekka Black melon Kamisaka Sekka, 1909-05-05 Okitsu: Kiyomigaseki and Seiken Temple (Kiyomigaseki, Seikenji)—No. 18, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido, Utagawa Hiroshige Okitsu: Kiyomigaseki and Seiken Temple (Kiyomigaseki, Seikenji)—No. 18, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido Utagawa Hiroshige, c. 1847/52 At Sea off Kazusa (Kazusa no kairo), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Katsushika Hokusai At Sea off Kazusa (Kazusa no kairo), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) Katsushika Hokusai, ca. 1830–32 Imaginary portrait, Shuihuzhuan of Stage: Tōryūdai (Mitate Suikoden Tōrōdai) - Actor, Ichikawa Danjūrō plays as Sanjō, Toyohara Kunichika Imaginary portrait, Shuihuzhuan of Stage: Tōryūdai (Mitate Suikoden Tōrōdai) - Actor, Ichikawa Danjūrō plays as Sanjō Toyohara Kunichika, 1875 Zal and Rudaba in a Palace, page from a copy of the Shahnama of Firdausi, Islamic Zal and Rudaba in a Palace, page from a copy of the Shahnama of Firdausi Islamic, Timurid dynasty (ca. 1370–1507), 1480/90 Utagawa's Lifetime Masterpiece, from the Japanese version of the Shuihu Zhuan, Utagawa Kunisada Utagawa's Lifetime Masterpiece, from the Japanese version of the Shuihu Zhuan Utagawa Kunisada, 1863 (5th month)

More by Yoshitoshi

Artist page and colour fingerprint
Four PM, from the series "Twenty-Four Hours in Shinbashi and Yanagibashi", Yoshitoshi Four PM, from the series "Twenty-Four Hours in Shinbashi and Yanagibashi" Yoshitoshi, 1880 The Actor Sawamura Tanosuke III, from the series "Reminiscences of Elegant Actors (Fuga wazaogi shinobu)", Yoshitoshi The Actor Sawamura Tanosuke III, from the series "Reminiscences of Elegant Actors (Fuga wazaogi shinobu)" Yoshitoshi, 1862 Fuwa Bansaku and the monster, Yoshitoshi Fuwa Bansaku and the monster Yoshitoshi, 1865-08 Illustration of a Large French Port Trading with Many Nations (Furansukoku oominato shokoku kōeki zu), Yoshitoshi Illustration of a Large French Port Trading with Many Nations (Furansukoku oominato shokoku kōeki zu) Yoshitoshi, 4th month, 1866 Maneuvers by Three Categories of French and English Soldiers (Furansu Igirisu sanhei ōchōren no zu), Yoshitoshi Maneuvers by Three Categories of French and English Soldiers (Furansu Igirisu sanhei ōchōren no zu) Yoshitoshi, 8th month, 1867 Illustration of Cavalry, Infantry and Soldiers Retreating (Kiheitai, hoheitai, daichōren no zu), Yoshitoshi Illustration of Cavalry, Infantry and Soldiers Retreating (Kiheitai, hoheitai, daichōren no zu) Yoshitoshi, 8th month, 1867