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Light Blouse by Max Pechstein

Light Blouse

Max Pechstein · 1917

View at Wikimedia Commons ↗

Palette

Duck egg
 39% of the image
Green · text contrast 8.5:1
Turquoise
 36% of the image
Teal · text contrast 6.2:1
Biscuit
 15% of the image
Gold & ochre · text contrast 11.0:1
Umber
 5% of the image
Brown · text contrast 9.1:1
Prussian blue
 4% of the image
Blue · text contrast 9.8:1
Amber
 2% of the image
Gold & ochre · text contrast 6.0:1

Colours measured by this site from the museum image (k-means in CIELAB). Names are the nearest in our own list and describe how the colour looks, not the pigment. Text on each chip uses whichever of black or white contrasts more (WCAG ratio shown). How

Details

Artist
Max Pechstein
1881–1955
Date
1917
Type
Painting
Medium
Oil on canvas
Period
20th century
Main colour
Green · lightness 65, colourfulness 24

Suermondt-Ludwig-Museum. Commons file page. Public domain. United States: Dated 1917, before 1931 (Commons: PD-old-auto-expired, which states publication before 1931). Europe: Artist died 1955: public domain in the EU since 1 January 2026 (Commons: PD-Art|PD-old-auto-expired|deathyear=1955). Last checked 2026-10-31 (Commons file carries EU and US public-domain templates: yes). Image: a faithful photographic reproduction of a public-domain work, from Wikimedia Commons (PD-Art). Licence rules

Works that share this palette

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The closest palettes among 5004 works, by average colour distance between the two palettes.

Rotterdam Ferry-Boat, J. M. W. Turner Rotterdam Ferry-Boat J. M. W. Turner, 1833 Miya: Shichiri Ferry Crossing, Gate to the Atsuta Shrine, and Nezame Village (Miya, Shichiri no watashi, Atsuta no torii, Nezame no sato)—No. 42, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido, Utagawa Hiroshige Miya: Shichiri Ferry Crossing, Gate to the Atsuta Shrine, and Nezame Village (Miya, Shichiri no watashi, Atsuta no torii, Nezame no sato)—No. 42, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido Utagawa Hiroshige, c. 1847/52 Omori, from the series "Famous Places in the Eastern Capital (Toto meisho)", Utagawa Kuniyoshi Omori, from the series "Famous Places in the Eastern Capital (Toto meisho)" Utagawa Kuniyoshi, c. 1832/33 The Flight into Egypt, Bernardino Jacobi Butinone The Flight into Egypt Bernardino Jacobi Butinone, c. 1485 Kanaya: Kanaya Slope and Oi River (Kanaya, Kanaya saka, Oigawa)—No. 25, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido, Utagawa Hiroshige Kanaya: Kanaya Slope and Oi River (Kanaya, Kanaya saka, Oigawa)—No. 25, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido Utagawa Hiroshige, c. 1847/52 Goten Hill at Shinagawa on the Tokaido (Tokaido Shinagawa Gotenyama), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)", Katsushika Hokusai Goten Hill at Shinagawa on the Tokaido (Tokaido Shinagawa Gotenyama), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)" Katsushika Hokusai, c. 1830/33

More by Max Pechstein

Artist page and colour fingerprint
Two Female Nudes in a Room, Max Pechstein Two Female Nudes in a Room Max Pechstein, 1909 Fruit, Max Pechstein Fruit Max Pechstein, 1910 Girl on a Green Sofa, Max Pechstein Girl on a Green Sofa Max Pechstein, 1910 The Blue Dress, Max Pechstein The Blue Dress Max Pechstein, 1921 Apple Tree in Blossom, Max Pechstein Apple Tree in Blossom Max Pechstein, 1929