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The Pine Tree at Saint Tropez by Paul Signac

The Pine Tree at Saint Tropez

Paul Signac · 1909

View at Wikimedia Commons ↗

Palette

Putty
 34% of the image
Gold & ochre · text contrast 9.4:1
Blue-grey
 24% of the image
Blue · text contrast 4.8:1
Mauve
 21% of the image
Purple · text contrast 5.6:1
Salmon
 8% of the image
Gold & ochre · text contrast 6.0:1
Honey
 7% of the image
Gold & ochre · text contrast 6.6:1
Khaki
 6% of the image
Green · text contrast 5.7:1

Colours measured by this site from the museum image (k-means in CIELAB). Names are the nearest in our own list and describe how the colour looks, not the pigment. Text on each chip uses whichever of black or white contrasts more (WCAG ratio shown). How

Details

Artist
Paul Signac
1863–1935
Date
1909
Type
Painting
Medium
Oil on canvas
Size
72 × 92 cm
Period
20th century
Themes
Bible stories and saints · Trees and forests
Main colour
Gold & ochre · lightness 59, colourfulness 21

Pushkin Museum of Fine Arts. Commons file page. Public domain. United States: Dated 1909, before 1931 (Commons: PD-old-auto-expired, which states publication before 1931). Europe: Artist died 1935: public domain in the EU since 1 January 2006 (Commons: PD-Art|PD-old-auto-expired|deathyear=1935 | DEFAULTSORT:Signac, Paul). Last checked 2026-10-31 (Commons file carries EU and US public-domain templates: yes). Image: a faithful photographic reproduction of a public-domain work, from Wikimedia Commons (PD-Art). Licence rules

Works that share this palette

Search by colour

The closest palettes among 5004 works, by average colour distance between the two palettes.

The infant son of the king of Isfahan responds to music, from a Tuti-nama (Tales of a Parrot): Thirteenth Night, Unknown artist The infant son of the king of Isfahan responds to music, from a Tuti-nama (Tales of a Parrot): Thirteenth Night Unknown artist, c. 1560 Shahr-Arai’s husband bends to kiss his wife who feigns sleep, from a Tuti-nama (Tales of a Parrot): Fortieth Night, Unknown artist Shahr-Arai’s husband bends to kiss his wife who feigns sleep, from a Tuti-nama (Tales of a Parrot): Fortieth Night Unknown artist, c. 1560 The Rocky Seashore, Maurice Prendergast The Rocky Seashore Maurice Prendergast, c. 1907–10 Doll, Mina Lowry Doll Mina Lowry, c. 1936 The Parrot Addresses Khujasta at the Beginning of the Eleventh Night, from a Tuti-nama (Tales of a Parrot), Banavari 2 The Parrot Addresses Khujasta at the Beginning of the Eleventh Night, from a Tuti-nama (Tales of a Parrot) Banavari 2, c. 1560 The king dreams of a lady, the personification of wealth, departing from him on account of his purchasing a bowl and a staff from a yogi, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Night, Unknown artist The king dreams of a lady, the personification of wealth, departing from him on account of his purchasing a bowl and a staff from a yogi, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Night Unknown artist, c. 1560

More by Paul Signac

Artist page and colour fingerprint
Les Andelys, Côte d'Aval, Paul Signac Les Andelys, Côte d'Aval Paul Signac, 1886 Application du Cercle Chromatique de Mr. Ch. Henry, Paul Signac Application du Cercle Chromatique de Mr. Ch. Henry Paul Signac, 1889 Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints, Portrait of M. Félix Fénéon in 1890, Paul Signac Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints, Portrait of M. Félix Fénéon in 1890 Paul Signac, 1890 Women by the Well, Paul Signac Women by the Well Paul Signac, 1892 Woman with a Parasol, Paul Signac Woman with a Parasol Paul Signac, 1893 The Buoy (La bouée), Paul Signac The Buoy (La bouée) Paul Signac, 1894

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