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A work made of tempera on panel.

Retable of Saints Athanasius, Blaise, and Agatha

Master of Riglos · c. 1440–c. 1445

View at the AIC ↗

Palette

Pewter
44% of the image
Grey · text contrast 4.5:1
Sepia
30% of the image
Brown · text contrast 8.1:1
Cinnamon
10% of the image
Brown · text contrast 5.9:1
Charcoal
9% of the image
Black · text contrast 14.1:1
Taupe
5% of the image
Gold & ochre · text contrast 4.7:1
Burnt sienna
3% of the image
Brown · text contrast 9.9:1

Colours measured by this site from the museum image (k-means in CIELAB). Names are the nearest in our own list and describe how the colour looks, not the pigment. Text on each chip uses whichever of black or white contrasts more (WCAG ratio shown). How

Details

Artist
Master of Riglos
Date
c. 1440–c. 1445
Type
Painting
Medium
Tempera on panel
Size
Christ on the Cross panel: 69.8 × 81.2 cm (27 1/2 × 32 in.); Coronation of the Virgin panel: 87.4 × 80.3 cm (34 7/16 × 31 5/8 in.); Scenes from the Life of Saint Blaise panel: 154.3 × 69.8 cm (60 3/4 × 27 1/2 in.); Saint Athanasius panel: 128.6 × 82 cm (50 11/16 × 32 5/16 in.); Scenes from the Life of Saint Agatha panel: 154.5 × 69.8 cm (60 7/8 × 27 1/2 in.); Overall: 206.1 × 226.9 cm (81 3/16 × 89 3/8 in.)
Place
Spain
Period
15th century
Themes
Dogs · Horses · Birds · Interiors · Reading and letters · Bible stories and saints
Main colour
Brown · lightness 42, colourfulness 10

Art Institute of Chicago, Gift of the Antiquarian Society. Museum record. Public domain: the museum's is_public_domain field read true when we last checked (2026-10-28); image released under CC0. Licence rules

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