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A work made of oil on panel.

The Raising of Lazarus

Follower of Rembrandt van Rijn · c. 1630

View at the AIC ↗

Palette

Lamp black
 85% of the image
Black · text contrast 19.3:1
Dark chocolate
 6% of the image
Black · text contrast 17.1:1
Bistre
 3% of the image
Brown · text contrast 14.8:1
Walnut
 3% of the image
Brown · text contrast 12.9:1
Coffee
 2% of the image
Black · text contrast 16.9:1
Umber
 1% of the image
Brown · text contrast 9.4:1

Colours measured by this site from the museum image (k-means in CIELAB). Names are the nearest in our own list and describe how the colour looks, not the pigment. Text on each chip uses whichever of black or white contrasts more (WCAG ratio shown). How

Details

Artist
Follower of Rembrandt van Rijn
Date
c. 1630
Type
Painting
Medium
Oil on panel
Size
43.5 × 36.8 cm (17 1/8 × 14 1/2 in.); Framed: 50.2 × 43.5 × 5.8 cm (19 3/4 × 17 1/8 × 2 1/4 in.)
Place
Holland
Period
17th century
Themes
Night and moonlight · Bible stories and saints
Main colour
Black · lightness 6, colourfulness 6

Art Institute of Chicago, Gift of Mrs. Dellora A. Norris. Museum record. Public domain: the museum's is_public_domain field read true when we last checked (2026-10-25); image released under CC0. Licence rules

Works that share this palette

Search by colour

The closest palettes among 5004 works, by average colour distance between the two palettes.

J. Frank Currier (1843–1909), Frank Duveneck J. Frank Currier (1843–1909) Frank Duveneck, 1876 At the Railway Station, Alfred Stevens At the Railway Station Alfred Stevens, c. 1874 Lights of Other Days, John F. Peto Lights of Other Days John F. Peto, 1906 John Philip Kemble, Martin Archer Shee John Philip Kemble Martin Archer Shee, c. 1795 James William Wallack, Charles Robert Leslie James William Wallack Charles Robert Leslie, 1835–40 Portrait of a Man, Nicolaes Maes Portrait of a Man Nicolaes Maes, 1655

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