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A work made of lithograph on off-white china paper.

The Bridge, from Some Aspects of Paris Life

Pierre Bonnard · 1896–97

View at the AIC ↗

Palette

Bone white
 77% of the image
White & cream · text contrast 16.4:1
Parchment
 8% of the image
Green · text contrast 14.2:1
Ivory
 5% of the image
Green · text contrast 15.9:1
Cream
 5% of the image
Green · text contrast 15.2:1
Chalk
 4% of the image
White & cream · text contrast 17.3:1
Butter
 2% of the image
Green · text contrast 11.8:1

Colours measured by this site from the museum image (k-means in CIELAB). Names are the nearest in our own list and describe how the colour looks, not the pigment. Text on each chip uses whichever of black or white contrasts more (WCAG ratio shown). How

Details

Artist
Pierre Bonnard
printed by Auguste Clot (French, 1858-1936)
Date
1896–97
Type
Print
Medium
Lithograph on off-white China paper
Size
Image: 27 × 41 cm (10 11/16 × 16 3/16 in.); Sheet: 40.3 × 52.6 cm (15 7/8 × 20 3/4 in.)
Place
France
Period
19th century
Themes
Cities and streets
Main colour
White & cream · lightness 94, colourfulness 10

Art Institute of Chicago, Gift of Sally Fairweather. Museum record. Public domain: the museum's is_public_domain field read true when we last checked (2026-10-25); image released under CC0. Licence rules

Works that share this palette

Search by colour

The closest palettes among 5004 works, by average colour distance between the two palettes.

A Dwarf, Francisco Goya A Dwarf Francisco Goya, 1778 Some Account of the Art of Photogenic Drawing, or the Process by which Natural Objects May Be Made to Delineate Themselves without the Aid of the Artist's Pencil, William Henry Fox Talbot Some Account of the Art of Photogenic Drawing, or the Process by which Natural Objects May Be Made to Delineate Themselves without the Aid of the Artist's Pencil William Henry Fox Talbot, Read before the Royal Society, January 31, 1839 Annie, James McNeill Whistler Annie James McNeill Whistler, 1857/58 Liverdun, James McNeill Whistler Liverdun James McNeill Whistler, 1858 The Fall of the River Tumble (recto); View of Fastraly (verso), J. M. W. Turner The Fall of the River Tumble (recto); View of Fastraly (verso) J. M. W. Turner, 1797 Aesop, Francisco Goya Aesop Francisco Goya, 1778

More by Pierre Bonnard

Artist page and colour fingerprint
France-Champagne, Pierre Bonnard France-Champagne Pierre Bonnard, 1889–91 Marine, Pierre Bonnard Marine Pierre Bonnard, 1910 Woman in a Red Dressing Gown, Pierre Bonnard Woman in a Red Dressing Gown Pierre Bonnard, 1916 Landscape through a Window, Pierre Bonnard Landscape through a Window Pierre Bonnard, 1918 Bowl of Cherries, Pierre Bonnard Bowl of Cherries Pierre Bonnard, 1920 Yellow and Red Apples, Pierre Bonnard Yellow and Red Apples Pierre Bonnard, 1920

More like this by theme

All cities and streets
Salon des Cent, 31, Rue Bonaparte, Paris--Exposition en Décembre 1898 de l'œuvre de James Ensor, James Ensor Salon des Cent, 31, Rue Bonaparte, Paris--Exposition en Décembre 1898 de l'œuvre de James Ensor James Ensor, [Brussels, 1896] Poster for the theatre café Le Chat Noir in Paris, Théophile Steinlen Poster for the theatre café Le Chat Noir in Paris Théophile Steinlen, 1896 The White Bridge, John Henry Twachtman The White Bridge John Henry Twachtman, after 1895 An Icy Night, New York, Alfred Stieglitz An Icy Night, New York Alfred Stieglitz, 1898 London Types: Beef-eater, William Nicholson London Types: Beef-eater William Nicholson, 1898 London Types: Coster, William Nicholson London Types: Coster William Nicholson, 1898