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A work made of etching with foul biting in black ink on off-white china paper laid down on off-white wove paper (chine collé).

Annie

James McNeill Whistler · 1857/58

View at the AIC ↗

Palette

Bone white
 74% of the image
White & cream · text contrast 16.8:1
Ivory
 11% of the image
Green · text contrast 15.0:1
Pale stone
 8% of the image
Green · text contrast 11.3:1
Linen
 3% of the image
Green · text contrast 13.7:1
Taupe
 1% of the image
Brown · text contrast 6.2:1
Graphite
 1% of the image
Brown · text contrast 11.1:1

Colours measured by this site from the museum image (k-means in CIELAB). Names are the nearest in our own list and describe how the colour looks, not the pigment. Text on each chip uses whichever of black or white contrasts more (WCAG ratio shown). How

Details

Artist
James McNeill Whistler
American, 1834-1903
Date
1857/58
Type
Print
Medium
Etching with foul biting in black ink on off-white China paper laid down on off-white wove paper (chine collé)
Size
Plate: 11.9 × 8 cm (4 11/16 × 3 3/16 in.); Sheet: 30.2 × 25 cm (11 15/16 × 9 7/8 in.)
Place
United States
Period
19th century
Main colour
White & cream · lightness 92, colourfulness 10

Art Institute of Chicago, Bryan Lathrop Collection. Museum record. Public domain: the museum's is_public_domain field read true when we last checked (2026-10-25); image released under CC0. Licence rules

Works that share this palette

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The closest palettes among 5004 works, by average colour distance between the two palettes.

Liverdun, James McNeill Whistler Liverdun James McNeill Whistler, 1858 Annie, Seated, James McNeill Whistler Annie, Seated James McNeill Whistler, 1858/59 Chapel and Pilgrim's Hospice at Harambeltz (Basses-Pyrenees), Odilon Redon Chapel and Pilgrim's Hospice at Harambeltz (Basses-Pyrenees) Odilon Redon, 1866 Edmée Lescot, from Le Café-Concert, Henri de Toulouse-Lautrec Edmée Lescot, from Le Café-Concert Henri de Toulouse-Lautrec, 1893 The Bridge, from Some Aspects of Paris Life, Pierre Bonnard The Bridge, from Some Aspects of Paris Life Pierre Bonnard, 1896–97 Landscape - Hillside in Gruchy, Normandy, Jean-François Millet Landscape - Hillside in Gruchy, Normandy Jean-François Millet, 1869/70

More by James McNeill Whistler

Artist page and colour fingerprint
Design cover for West Point Song of the Graduates, James McNeill Whistler Design cover for West Point Song of the Graduates James McNeill Whistler, 1852 Street at Saverne, James McNeill Whistler Street at Saverne James McNeill Whistler, 1858 Auguste Delâtre, Printer, James McNeill Whistler Auguste Delâtre, Printer James McNeill Whistler, 1858/59 Liverdun, James McNeill Whistler Liverdun James McNeill Whistler, 1858 Annie, Seated, James McNeill Whistler Annie, Seated James McNeill Whistler, 1858/59 La Vieille aux Loques (The Old Woman with Rags), James McNeill Whistler La Vieille aux Loques (The Old Woman with Rags) James McNeill Whistler, 1858