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  4. Clear Weather After Snow at Nihon Bridge (Nihonbashi yukibare), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"
A work made of color woodblock print; oban.

Clear Weather After Snow at Nihon Bridge (Nihonbashi yukibare), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"

Utagawa Hiroshige · 1856

View at the AIC ↗

Palette

Linen
 71% of the image
Green · text contrast 12.9:1
Peacock
 14% of the image
Teal · text contrast 5.5:1
Prussian blue
 10% of the image
Blue · text contrast 11.7:1
Honey
 2% of the image
Gold & ochre · text contrast 8.3:1
Copper
 2% of the image
Orange · text contrast 5.1:1
Denim
 1% of the image
Blue · text contrast 6.1:1

Colours measured by this site from the museum image (k-means in CIELAB). Names are the nearest in our own list and describe how the colour looks, not the pigment. Text on each chip uses whichever of black or white contrasts more (WCAG ratio shown). How

Details

Artist
Utagawa Hiroshige
Japanese, 1797-1858
Date
1856
Type
Print
Medium
Color woodblock print; oban
Size
36 × 24 cm (14 3/16 × 9 7/16 in.)
Place
Japan
Period
19th century
Themes
Winter and snow · Cities and streets
Main colour
Green · lightness 74, colourfulness 18

Art Institute of Chicago, Gift of Mr. and Mrs. Harold G. Henderson. Museum record. Public domain. United States: Art Institute of Chicago marks it public domain (is_public_domain = True). Europe: Artist died 1858: public domain in the EU since 1 January 1929. Last checked 2026-10-31 (is_public_domain: yes). Image released by the museum under CC0. Licence rules

Works that share this palette

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The closest palettes among 5004 works, by average colour distance between the two palettes.

Napoleon, Henri de Toulouse-Lautrec Napoleon Henri de Toulouse-Lautrec, 1895 Izutsu, from the series "Pictures of No Performances (Nogaku Zue)", Tsukioka Kôgyo Izutsu, from the series "Pictures of No Performances (Nogaku Zue)" Tsukioka Kôgyo, 1898 Satsuma, section of sheet no. 18 from the series "Cutout Pictures of the Provinces (Kunizukushi harimaze zue)", Utagawa Hiroshige Satsuma, section of sheet no. 18 from the series "Cutout Pictures of the Provinces (Kunizukushi harimaze zue)" Utagawa Hiroshige, 1852 Narumi, section of sheet no. 10 from the series "Cutouts of the Fifty-three Stations (Gojusan tsugi harimaze)", Utagawa Hiroshige Narumi, section of sheet no. 10 from the series "Cutouts of the Fifty-three Stations (Gojusan tsugi harimaze)" Utagawa Hiroshige, 1852 Antibes, Henri-Edmond Cross Antibes Henri-Edmond Cross, 1907 Returning Sails at Yabase (Yabase kihan), section of a sheet from the series "Eight Views of Omi (Omi hakkei)", Utagawa Hiroshige Returning Sails at Yabase (Yabase kihan), section of a sheet from the series "Eight Views of Omi (Omi hakkei)" Utagawa Hiroshige, c. 1847/52

More by Utagawa Hiroshige

Artist page and colour fingerprint
Full Moon over Takanawa, from the series Famous Places in the Eastern Capital, Utagawa Hiroshige Full Moon over Takanawa, from the series Famous Places in the Eastern Capital Utagawa Hiroshige, c. 1831 Moon over Ryogoku Bridge in Summer (Natsu Ryogoku no tsuki), from the series "Famous Places in Edo in the Four Seasons (Shiki Koto meisho)", Utagawa Hiroshige Moon over Ryogoku Bridge in Summer (Natsu Ryogoku no tsuki), from the series "Famous Places in Edo in the Four Seasons (Shiki Koto meisho)" Utagawa Hiroshige, c. 1832/34 Oystercatchers, Utagawa Hiroshige Oystercatchers Utagawa Hiroshige, c. 1833/34 Goose on riverbank, Utagawa Hiroshige Goose on riverbank Utagawa Hiroshige, c. 1833/34 Numazu—Dusk (Numazu—tasogare zu), from the series The Fifty-Three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi no uchi), Utagawa Hiroshige Numazu—Dusk (Numazu—tasogare zu), from the series The Fifty-Three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi no uchi) Utagawa Hiroshige, 1831-34 Willow Tree at the Gate of the Shimabara Pleasure Quarrter (Shimabara deguchi no yanagi), from the series "Famous Places in Kyoto (Kyoto meisho no uchi)", Utagawa Hiroshige Willow Tree at the Gate of the Shimabara Pleasure Quarrter (Shimabara deguchi no yanagi), from the series "Famous Places in Kyoto (Kyoto meisho no uchi)" Utagawa Hiroshige, c. 1834

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All winter and snow
Old View of the Boat-bridge at Sano in Kōzuke Province (Kōzuke Sano funabashi no kozu), from the series Remarkable Views of Bridges in Various Provinces (Shokoku meikyō kiran), Katsushika Hokusai Old View of the Boat-bridge at Sano in Kōzuke Province (Kōzuke Sano funabashi no kozu), from the series Remarkable Views of Bridges in Various Provinces (Shokoku meikyō kiran) Katsushika Hokusai, 1827–30 The Port and City of Sète-Mediterranean (Port et Ville de Sète-Mediterranée), Gustave Le Gray The Port and City of Sète-Mediterranean (Port et Ville de Sète-Mediterranée) Gustave Le Gray, 1857 Street at Saverne, James McNeill Whistler Street at Saverne James McNeill Whistler, 1858 Street at Saverne, James McNeill Whistler Street at Saverne James McNeill Whistler, 1858 Old Westminster Bridge, James McNeill Whistler Old Westminster Bridge James McNeill Whistler, 1859 Kintai Bridge at Iwakuni in Suo Province (Suo Iwakuni Kintaibashi), from the series "One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)", Utagawa Hiroshige II (Shigenobu) Kintai Bridge at Iwakuni in Suo Province (Suo Iwakuni Kintaibashi), from the series "One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)" Utagawa Hiroshige II (Shigenobu), 1859