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  4. Kintai Bridge at Iwakuni in Suo Province (Suo Iwakuni Kintaibashi), from the series "One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)"
A work made of color woodblock print; oban.

Kintai Bridge at Iwakuni in Suo Province (Suo Iwakuni Kintaibashi), from the series "One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)"

Utagawa Hiroshige II (Shigenobu) · 1859

View at the AIC ↗

Palette

Parchment
 55% of the image
Green · text contrast 11.2:1
Pewter
 26% of the image
Grey · text contrast 4.6:1
Navy
 8% of the image
Blue · text contrast 14.4:1
Stone
 5% of the image
Green · text contrast 6.1:1
Slate blue
 3% of the image
Blue · text contrast 8.2:1
Salmon
 3% of the image
Gold & ochre · text contrast 5.9:1

Colours measured by this site from the museum image (k-means in CIELAB). Names are the nearest in our own list and describe how the colour looks, not the pigment. Text on each chip uses whichever of black or white contrasts more (WCAG ratio shown). How

Details

Artist
Utagawa Hiroshige II (Shigenobu)
Japanese, 1826-1869
Date
1859
Type
Print
Medium
Color woodblock print; oban
Place
Japan
Period
19th century
Themes
Cities and streets
Main colour
Green · lightness 65, colourfulness 16

Art Institute of Chicago, Clarence Buckingham Collection. Museum record. Public domain. United States: Art Institute of Chicago marks it public domain (is_public_domain = True). Europe: Artist died 1869: public domain in the EU since 1 January 1940. Last checked 2026-10-31 (is_public_domain: yes). Image released by the museum under CC0. Licence rules

Works that share this palette

Search by colour

The closest palettes among 5004 works, by average colour distance between the two palettes.

Lower Meguro (Shimo Meguro), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)", Katsushika Hokusai Lower Meguro (Shimo Meguro), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)" Katsushika Hokusai, c. 1830/33 Sunrise on New Year's Day at Susaki (Susaki hatsu hinode no zu), from the series "Famous Places in the Eastern Capital (Toto meisho)", Utagawa Kuniyoshi Sunrise on New Year's Day at Susaki (Susaki hatsu hinode no zu), from the series "Famous Places in the Eastern Capital (Toto meisho)" Utagawa Kuniyoshi, c. 1832/33 Senju in Musashi Province (Bushu Senju), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)", Katsushika Hokusai Senju in Musashi Province (Bushu Senju), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)" Katsushika Hokusai, c. 1830/33 Dashun (Taishun), from the series "Twenty-four Paragons of Filial Piety as a Mirror for Children (Nijushiko doji kagami)", Utagawa Kuniyoshi Dashun (Taishun), from the series "Twenty-four Paragons of Filial Piety as a Mirror for Children (Nijushiko doji kagami)" Utagawa Kuniyoshi, c. 1843 Illustration of a Chinese poem, from the series "Picture Book of Chinese Poems (Toshi gafu no uchi)", Totoya Hokkei Illustration of a Chinese poem, from the series "Picture Book of Chinese Poems (Toshi gafu no uchi)" Totoya Hokkei, c. 1830/44 Fishing Boats at Tsukuda Island (Tsukudajima gyoshu), from the series "Thirty-six Views of the Eastern Capital (Toto sanjurokkei)", Utagawa Hiroshige II (Shigenobu) Fishing Boats at Tsukuda Island (Tsukudajima gyoshu), from the series "Thirty-six Views of the Eastern Capital (Toto sanjurokkei)" Utagawa Hiroshige II (Shigenobu), 1862

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Artist page and colour fingerprint
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