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  4. The Big Harbor at Mikuni, Echizen Province (Echizen Mikuni no ominato) from the series “One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)”
A work made of color woodblock print.

The Big Harbor at Mikuni, Echizen Province (Echizen Mikuni no ominato) from the series “One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)”

Utagawa Hiroshige II (Shigenobu) · 1860

View at the AIC ↗

Palette

Lichen
 45% of the image
Green · text contrast 7.9:1
Sepia
 32% of the image
Brown · text contrast 8.5:1
Navy
 13% of the image
Blue · text contrast 15.4:1
Bronze
 4% of the image
Gold & ochre · text contrast 5.0:1
Slate blue
 3% of the image
Blue · text contrast 7.5:1
Pewter
 3% of the image
Grey · text contrast 4.6:1

Colours measured by this site from the museum image (k-means in CIELAB). Names are the nearest in our own list and describe how the colour looks, not the pigment. Text on each chip uses whichever of black or white contrasts more (WCAG ratio shown). How

Details

Artist
Utagawa Hiroshige II (Shigenobu)
Japanese, 1826–1869
Date
1860
Type
Print
Medium
Color woodblock print
Place
Japan
Period
19th century
Themes
Seascapes and the coast
Main colour
Green · lightness 48, colourfulness 16

Art Institute of Chicago, Bruce Goff Archive, gift of Shin'enkan, Inc.. Museum record. Public domain. United States: Art Institute of Chicago marks it public domain (is_public_domain = True). Europe: Artist died 1869: public domain in the EU since 1 January 1940. Last checked 2026-10-31 (is_public_domain: yes). Image released by the museum under CC0. Licence rules

Works that share this palette

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The closest palettes among 5004 works, by average colour distance between the two palettes.

Asakusa Imado, from the series "Famous Places in the Eastern Capital (Toto Meisho)", Utagawa Kuniyoshi Asakusa Imado, from the series "Famous Places in the Eastern Capital (Toto Meisho)" Utagawa Kuniyoshi, c. 1832/33 Catching Lampreys, Eels, and Red Rockfish on Lake Suwa, Shinshu Province from the series “One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)”, Utagawa Hiroshige II (Shigenobu) Catching Lampreys, Eels, and Red Rockfish on Lake Suwa, Shinshu Province from the series “One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)” Utagawa Hiroshige II (Shigenobu), 1860 Maiko Beach, Banshu Province (Banshu Maiko no hama) from the series “One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)”, Utagawa Hiroshige II (Shigenobu) Maiko Beach, Banshu Province (Banshu Maiko no hama) from the series “One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)” Utagawa Hiroshige II (Shigenobu), 1859 Dong Yong (Toei), from the series "Twenty-four Paragons of Filial Piety as a Mirror for Children (Nijushiko doji kagami)", Utagawa Kuniyoshi Dong Yong (Toei), from the series "Twenty-four Paragons of Filial Piety as a Mirror for Children (Nijushiko doji kagami)" Utagawa Kuniyoshi, c. 1843 The Great Elephant from a Foreign Land (Ikoku watari dai zo no zu), Utagawa Yoshiharu The Great Elephant from a Foreign Land (Ikoku watari dai zo no zu) Utagawa Yoshiharu, 1863 Nihonbashi from the series Thirty-six Views of the Eastern Capital (Toto sanjurokkei), Utagawa Hiroshige II (Shigenobu) Nihonbashi from the series Thirty-six Views of the Eastern Capital (Toto sanjurokkei) Utagawa Hiroshige II (Shigenobu), c. 1853

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Artist page and colour fingerprint
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All seascapes and the coast
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