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A work made of color woodblock print.

Maiko Beach, Banshu Province (Banshu Maiko no hama) from the series “One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)”

Utagawa Hiroshige II (Shigenobu) · 1859

View at the AIC ↗

Palette

Putty
 41% of the image
Green · text contrast 8.2:1
Smoke
 38% of the image
Grey · text contrast 5.6:1
Sepia
 12% of the image
Brown · text contrast 7.9:1
Prussian blue
 6% of the image
Blue · text contrast 12.1:1
Cinnamon
 2% of the image
Red · text contrast 6.8:1
Tan
 1% of the image
Brown · text contrast 4.8:1

Colours measured by this site from the museum image (k-means in CIELAB). Names are the nearest in our own list and describe how the colour looks, not the pigment. Text on each chip uses whichever of black or white contrasts more (WCAG ratio shown). How

Details

Artist
Utagawa Hiroshige II (Shigenobu)
Japanese, 1826–1869
Date
1859
Type
Print
Medium
Color woodblock print
Place
Japan
Period
19th century
Themes
Seascapes and the coast
Main colour
Green · lightness 52, colourfulness 17

Art Institute of Chicago, Bruce Goff Archive, gift of Shin'enkan, Inc.. Museum record. Public domain. United States: Art Institute of Chicago marks it public domain (is_public_domain = True). Europe: Artist died 1869: public domain in the EU since 1 January 1940. Last checked 2026-10-31 (is_public_domain: yes). Image released by the museum under CC0. Licence rules

Works that share this palette

Search by colour

The closest palettes among 5004 works, by average colour distance between the two palettes.

Asakusa Imado, from the series "Famous Places in the Eastern Capital (Toto Meisho)", Utagawa Kuniyoshi Asakusa Imado, from the series "Famous Places in the Eastern Capital (Toto Meisho)" Utagawa Kuniyoshi, c. 1832/33 Dong Yong (Toei), from the series "Twenty-four Paragons of Filial Piety as a Mirror for Children (Nijushiko doji kagami)", Utagawa Kuniyoshi Dong Yong (Toei), from the series "Twenty-four Paragons of Filial Piety as a Mirror for Children (Nijushiko doji kagami)" Utagawa Kuniyoshi, c. 1843 Nihonbashi from the series Thirty-six Views of the Eastern Capital (Toto sanjurokkei), Utagawa Hiroshige II (Shigenobu) Nihonbashi from the series Thirty-six Views of the Eastern Capital (Toto sanjurokkei) Utagawa Hiroshige II (Shigenobu), c. 1853 Oniwakamaru Observing the Great Carp in the Pond, from the series "New Forms of Thirty-Six Ghosts", Yoshitoshi Oniwakamaru Observing the Great Carp in the Pond, from the series "New Forms of Thirty-Six Ghosts" Yoshitoshi, 1889 Scroll with twelve erotic scenes, Hishikawa School Scroll with twelve erotic scenes Hishikawa School, Early 18th century The Big Harbor at Mikuni, Echizen Province (Echizen Mikuni no ominato) from the series “One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)”, Utagawa Hiroshige II (Shigenobu) The Big Harbor at Mikuni, Echizen Province (Echizen Mikuni no ominato) from the series “One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)” Utagawa Hiroshige II (Shigenobu), 1860

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Artist page and colour fingerprint
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All seascapes and the coast
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