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  4. View of Niigata, Echigo Province (Echigo Niigata no kei) from the series “One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)”
A work made of color woodblock print.

View of Niigata, Echigo Province (Echigo Niigata no kei) from the series “One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)”

Utagawa Hiroshige II (Shigenobu) · 1859

View at the AIC ↗

Palette

Iron
 32% of the image
Grey · text contrast 7.8:1
Putty
 29% of the image
Gold & ochre · text contrast 10.1:1
Sage
 26% of the image
Green · text contrast 6.4:1
Navy
 9% of the image
Blue · text contrast 14.1:1
Blue-grey
 3% of the image
Teal · text contrast 5.3:1
Cinnamon
 1% of the image
Brown · text contrast 5.6:1

Colours measured by this site from the museum image (k-means in CIELAB). Names are the nearest in our own list and describe how the colour looks, not the pigment. Text on each chip uses whichever of black or white contrasts more (WCAG ratio shown). How

Details

Artist
Utagawa Hiroshige II (Shigenobu)
Japanese, 1826–1869
Date
1859
Type
Print
Medium
Color woodblock print
Place
Japan
Period
19th century
Main colour
Gold & ochre · lightness 53, colourfulness 14

Art Institute of Chicago, Bruce Goff Archive, gift of Shin'enkan, Inc.. Museum record. Public domain. United States: Art Institute of Chicago marks it public domain (is_public_domain = True). Europe: Artist died 1869: public domain in the EU since 1 January 1940. Last checked 2026-10-31 (is_public_domain: yes). Image released by the museum under CC0. Licence rules

Works that share this palette

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The closest palettes among 5004 works, by average colour distance between the two palettes.

Mount Kusuri on the Road to Zenko Temple, Shinshu Province (Shinshu Zenkoji michi Kusuriyama) from the series “One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)”, Utagawa Hiroshige II (Shigenobu) Mount Kusuri on the Road to Zenko Temple, Shinshu Province (Shinshu Zenkoji michi Kusuriyama) from the series “One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)” Utagawa Hiroshige II (Shigenobu), 1859 Nomori, from the series "Pictures of No Performances (Nogaku Zue)", Tsukioka Kôgyo Nomori, from the series "Pictures of No Performances (Nogaku Zue)" Tsukioka Kôgyo, 1898 Image of a Whale Hunt at Goto, Hizen Province (Hizen Goto geiryo no zu), from the series “One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)”, Utagawa Hiroshige II (Shigenobu) Image of a Whale Hunt at Goto, Hizen Province (Hizen Goto geiryo no zu), from the series “One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)” Utagawa Hiroshige II (Shigenobu), 1859 Minakuchi, Ishibe, Kusatsu, Otsu, and Kyoto, from the series "Famous Places on the Fifty-three Stations of the Tokaido, Five Stations (Tokaido gojusan eki goshuku meisho)", Utagawa Kuniyoshi Minakuchi, Ishibe, Kusatsu, Otsu, and Kyoto, from the series "Famous Places on the Fifty-three Stations of the Tokaido, Five Stations (Tokaido gojusan eki goshuku meisho)" Utagawa Kuniyoshi, c. 1830/35 Nissaka, Kakegawa, Fukuroi, Mitsuke, and Hamamatsu, from the series "Famous Places on the Fifty-three Stations of the Tokaido, Five Stations (Tokaido gojusan eki goshuku meisho)", Utagawa Kuniyoshi Nissaka, Kakegawa, Fukuroi, Mitsuke, and Hamamatsu, from the series "Famous Places on the Fifty-three Stations of the Tokaido, Five Stations (Tokaido gojusan eki goshuku meisho)" Utagawa Kuniyoshi, c. 1830/35 Meng Zong (Moso), from the series "Twenty-four Paragons of Filial Piety as a Mirror for Children (Nijushiko doji kagami)", Utagawa Kuniyoshi Meng Zong (Moso), from the series "Twenty-four Paragons of Filial Piety as a Mirror for Children (Nijushiko doji kagami)" Utagawa Kuniyoshi, c. 1843

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