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  4. Nissaka, Kakegawa, Fukuroi, Mitsuke, and Hamamatsu, from the series "Famous Places on the Fifty-three Stations of the Tokaido, Five Stations (Tokaido gojusan eki goshuku meisho)"
A work made of color woodblock print; oban.

Nissaka, Kakegawa, Fukuroi, Mitsuke, and Hamamatsu, from the series "Famous Places on the Fifty-three Stations of the Tokaido, Five Stations (Tokaido gojusan eki goshuku meisho)"

Utagawa Kuniyoshi · c. 1830/35

View at the AIC ↗

Palette

Pale stone
 48% of the image
Green · text contrast 10.4:1
Smoke
 23% of the image
Grey · text contrast 6.5:1
Stone
 16% of the image
Green · text contrast 5.8:1
Prussian blue
 6% of the image
Blue · text contrast 9.7:1
Blue-grey
 4% of the image
Teal · text contrast 4.4:1
Straw
 3% of the image
Gold & ochre · text contrast 7.5:1

Colours measured by this site from the museum image (k-means in CIELAB). Names are the nearest in our own list and describe how the colour looks, not the pigment. Text on each chip uses whichever of black or white contrasts more (WCAG ratio shown). How

Details

Artist
Utagawa Kuniyoshi
Japanese, 1797-1861
Date
c. 1830/35
Type
Print
Medium
Color woodblock print; oban
Size
24.7 × 38.1 cm (9 3/4 × 15 in.)
Place
Japan
Period
19th century
Main colour
Green · lightness 62, colourfulness 16

Art Institute of Chicago, Gift of Mr. and Mrs. James A. Michener. Museum record. Public domain: the museum's is_public_domain field read true when we last checked (2026-10-25); image released under CC0. Licence rules

Works that share this palette

Search by colour

The closest palettes among 5004 works, by average colour distance between the two palettes.

Kazuraki, from the series "Pictures of No Performances (Nogaku Zue)", Tsukioka Kôgyo Kazuraki, from the series "Pictures of No Performances (Nogaku Zue)" Tsukioka Kôgyo, 1898 Meng Zong (Moso), from the series "Twenty-four Paragons of Filial Piety as a Mirror for Children (Nijushiko doji kagami)", Utagawa Kuniyoshi Meng Zong (Moso), from the series "Twenty-four Paragons of Filial Piety as a Mirror for Children (Nijushiko doji kagami)" Utagawa Kuniyoshi, c. 1843 Hara, Yoshiwara, and Kanbara, from the series "Famous Places on the Fifty-three Stations of the Tokaido, Three Stations (Tokaido gojusan eki sanshuku meisho)", Utagawa Kuniyoshi Hara, Yoshiwara, and Kanbara, from the series "Famous Places on the Fifty-three Stations of the Tokaido, Three Stations (Tokaido gojusan eki sanshuku meisho)" Utagawa Kuniyoshi, c. 1830/35 Moon over Ryogoku Bridge in Summer (Natsu Ryogoku no tsuki), from the series "Famous Places in Edo in the Four Seasons (Shiki Koto meisho)", Utagawa Hiroshige Moon over Ryogoku Bridge in Summer (Natsu Ryogoku no tsuki), from the series "Famous Places in Edo in the Four Seasons (Shiki Koto meisho)" Utagawa Hiroshige, c. 1832/34 Willow Tree at the Gate of the Shimabara Pleasure Quarrter (Shimabara deguchi no yanagi), from the series "Famous Places in Kyoto (Kyoto meisho no uchi)", Utagawa Hiroshige Willow Tree at the Gate of the Shimabara Pleasure Quarrter (Shimabara deguchi no yanagi), from the series "Famous Places in Kyoto (Kyoto meisho no uchi)" Utagawa Hiroshige, c. 1834 Evening Snow on Mount Fuji, Complete View of the Inner and Middle Shrines at Shimo Sengen (Fuji bosetsu, Shimo Sengen atomiya nakamiya zenzu), from the series "Eight VIews of Famous Places (Meisho hakkei)", Utagawa Toyoshige (Toyokuni II) Evening Snow on Mount Fuji, Complete View of the Inner and Middle Shrines at Shimo Sengen (Fuji bosetsu, Shimo Sengen atomiya nakamiya zenzu), from the series "Eight VIews of Famous Places (Meisho hakkei)" Utagawa Toyoshige (Toyokuni II), c. 1833/34

More by Utagawa Kuniyoshi

Artist page and colour fingerprint
Picture of Mitsumata, Utagawa Kuniyoshi Picture of Mitsumata Utagawa Kuniyoshi, 1797–1861 Print, Utagawa Kuniyoshi Print Utagawa Kuniyoshi, 19th century Casting a Mantra on the Waves at Kakuta on His Exile to Sado Island (Sashu rukei Kakuta nami daimoku), from the series "Concise Illustrated Biography of the Great Priest [Nichiren] (Koso go ichidai ryakuzu)", Utagawa Kuniyoshi Casting a Mantra on the Waves at Kakuta on His Exile to Sado Island (Sashu rukei Kakuta nami daimoku), from the series "Concise Illustrated Biography of the Great Priest [Nichiren] (Koso go ichidai ryakuzu)" Utagawa Kuniyoshi, c. 1830/35 Nihonbashi, Shinagawa, Kawasaki, and Kanagawa, from the series "Famous Places on the Fifty-three Stations of the Tokaido, Four Stations (Tokaido gojusan eki yonshuku meisho)", Utagawa Kuniyoshi Nihonbashi, Shinagawa, Kawasaki, and Kanagawa, from the series "Famous Places on the Fifty-three Stations of the Tokaido, Four Stations (Tokaido gojusan eki yonshuku meisho)" Utagawa Kuniyoshi, c. 1830/35 Shono, Kameyama, Seki, Sakanoshita, and Tsuchiyama, from the series "Famous Places on the Fifty-three Stations of the Tokaido, Five Stations (Tokaido gojusan eki goshuku meisho)", Utagawa Kuniyoshi Shono, Kameyama, Seki, Sakanoshita, and Tsuchiyama, from the series "Famous Places on the Fifty-three Stations of the Tokaido, Five Stations (Tokaido gojusan eki goshuku meisho)" Utagawa Kuniyoshi, c. 1830/35 Hara, Yoshiwara, and Kanbara, from the series "Famous Places on the Fifty-three Stations of the Tokaido, Three Stations (Tokaido gojusan eki sanshuku meisho)", Utagawa Kuniyoshi Hara, Yoshiwara, and Kanbara, from the series "Famous Places on the Fifty-three Stations of the Tokaido, Three Stations (Tokaido gojusan eki sanshuku meisho)" Utagawa Kuniyoshi, c. 1830/35