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A work made of color woodblock print; oban.

Evening Snow on Mount Fuji, Complete View of the Inner and Middle Shrines at Shimo Sengen (Fuji bosetsu, Shimo Sengen atomiya nakamiya zenzu), from the series "Eight VIews of Famous Places (Meisho hakkei)"

Utagawa Toyoshige (Toyokuni II) · c. 1833/34

View at the AIC ↗

Palette

Putty
 49% of the image
Green · text contrast 10.1:1
Green earth
 25% of the image
Gold & ochre · text contrast 4.7:1
Iron
 15% of the image
Grey · text contrast 8.0:1
Navy
 5% of the image
Blue · text contrast 14.7:1
Blue-grey
 4% of the image
Teal · text contrast 5.4:1
Straw
 3% of the image
Gold & ochre · text contrast 9.4:1

Colours measured by this site from the museum image (k-means in CIELAB). Names are the nearest in our own list and describe how the colour looks, not the pigment. Text on each chip uses whichever of black or white contrasts more (WCAG ratio shown). How

Details

Artist
Utagawa Toyoshige (Toyokuni II)
Japanese, 1777-1835
Date
c. 1833/34
Type
Print
Medium
Color woodblock print; oban
Size
26.2 × 38.1 cm (10 5/16 × 15 in.)
Place
Japan
Period
19th century
Themes
Mountains · Winter and snow · Mount Fuji
Main colour
Green · lightness 61, colourfulness 18

Art Institute of Chicago, Clarence Buckingham Collection. Museum record. Public domain. United States: Art Institute of Chicago marks it public domain (is_public_domain = True). Europe: Artist died 1835: public domain in the EU since 1 January 1906. Last checked 2026-10-31 (is_public_domain: yes). Image released by the museum under CC0. Licence rules

Works that share this palette

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The closest palettes among 5004 works, by average colour distance between the two palettes.

Moon over Ryogoku Bridge in Summer (Natsu Ryogoku no tsuki), from the series "Famous Places in Edo in the Four Seasons (Shiki Koto meisho)", Utagawa Hiroshige Moon over Ryogoku Bridge in Summer (Natsu Ryogoku no tsuki), from the series "Famous Places in Edo in the Four Seasons (Shiki Koto meisho)" Utagawa Hiroshige, c. 1832/34 Kazuraki, from the series "Pictures of No Performances (Nogaku Zue)", Tsukioka Kôgyo Kazuraki, from the series "Pictures of No Performances (Nogaku Zue)" Tsukioka Kôgyo, 1898 Meng Zong (Moso), from the series "Twenty-four Paragons of Filial Piety as a Mirror for Children (Nijushiko doji kagami)", Utagawa Kuniyoshi Meng Zong (Moso), from the series "Twenty-four Paragons of Filial Piety as a Mirror for Children (Nijushiko doji kagami)" Utagawa Kuniyoshi, c. 1843 Nomori, from the series "Pictures of No Performances (Nogaku Zue)", Tsukioka Kôgyo Nomori, from the series "Pictures of No Performances (Nogaku Zue)" Tsukioka Kôgyo, 1898 Nissaka, Kakegawa, Fukuroi, Mitsuke, and Hamamatsu, from the series "Famous Places on the Fifty-three Stations of the Tokaido, Five Stations (Tokaido gojusan eki goshuku meisho)", Utagawa Kuniyoshi Nissaka, Kakegawa, Fukuroi, Mitsuke, and Hamamatsu, from the series "Famous Places on the Fifty-three Stations of the Tokaido, Five Stations (Tokaido gojusan eki goshuku meisho)" Utagawa Kuniyoshi, c. 1830/35 Cai Shun (Sai Jun), from the series "Twenty-four Paragons of Filial Piety in China (Morokoshi nijushiko)", Utagawa Kuniyoshi Cai Shun (Sai Jun), from the series "Twenty-four Paragons of Filial Piety in China (Morokoshi nijushiko)" Utagawa Kuniyoshi, c. 1848/50

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