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A work made of color woodblock print.

Nihonbashi from the series Thirty-six Views of the Eastern Capital (Toto sanjurokkei)

Utagawa Hiroshige II (Shigenobu) · c. 1853

View at the AIC ↗

Palette

Putty
 85% of the image
Green · text contrast 9.1:1
Spruce
 6% of the image
Green · text contrast 6.7:1
Prussian blue
 3% of the image
Blue · text contrast 12.2:1
Slate
 2% of the image
Grey · text contrast 7.0:1
Pewter
 2% of the image
Grey · text contrast 5.2:1
Cinnamon
 2% of the image
Pink · text contrast 5.8:1

Colours measured by this site from the museum image (k-means in CIELAB). Names are the nearest in our own list and describe how the colour looks, not the pigment. Text on each chip uses whichever of black or white contrasts more (WCAG ratio shown). How

Details

Artist
Utagawa Hiroshige II (Shigenobu)
Japanese, 1826–1869
Date
c. 1853
Type
Print
Medium
Color woodblock print
Place
Japan
Period
19th century
Main colour
Green · lightness 68, colourfulness 16

Art Institute of Chicago, Bruce Goff Archive, gift of Shin'enkan, Inc.. Museum record. Public domain. United States: Art Institute of Chicago marks it public domain (is_public_domain = True). Europe: Artist died 1869: public domain in the EU since 1 January 1940. Last checked 2026-10-31 (is_public_domain: yes). Image released by the museum under CC0. Licence rules

Works that share this palette

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The closest palettes among 5004 works, by average colour distance between the two palettes.

Mount Kusuri on the Road to Zenko Temple, Shinshu Province (Shinshu Zenkoji michi Kusuriyama) from the series “One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)”, Utagawa Hiroshige II (Shigenobu) Mount Kusuri on the Road to Zenko Temple, Shinshu Province (Shinshu Zenkoji michi Kusuriyama) from the series “One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)” Utagawa Hiroshige II (Shigenobu), 1859 Dong Yong (Toei), from the series "Twenty-four Paragons of Filial Piety as a Mirror for Children (Nijushiko doji kagami)", Utagawa Kuniyoshi Dong Yong (Toei), from the series "Twenty-four Paragons of Filial Piety as a Mirror for Children (Nijushiko doji kagami)" Utagawa Kuniyoshi, c. 1843 Jesus is Pierced with a Lance, from The Small Passion, Jacques Callot Jesus is Pierced with a Lance, from The Small Passion Jacques Callot, 1624/31 Kokaji, from the series "Pictures of No Performances (Nogaku Zue)", Tsukioka Kôgyo Kokaji, from the series "Pictures of No Performances (Nogaku Zue)" Tsukioka Kôgyo, 1898 Omori Hikoshichi from the series “New Forms of the Thirty-Six Ghosts”, Yoshitoshi Omori Hikoshichi from the series “New Forms of the Thirty-Six Ghosts” Yoshitoshi, 1889 Asakusa Imado, from the series "Famous Places in the Eastern Capital (Toto Meisho)", Utagawa Kuniyoshi Asakusa Imado, from the series "Famous Places in the Eastern Capital (Toto Meisho)" Utagawa Kuniyoshi, c. 1832/33

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Artist page and colour fingerprint
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