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A work made of color woodblock print; oban triptych.

A Prosperous American Merchant Building in Yokohama (Yokohama asanban shokan hanei no zu)

Utagawa Hiroshige III · 1871

View at the AIC ↗

Palette

Celadon
 86% of the image
Green · text contrast 9.0:1
Prussian blue
 5% of the image
Grey · text contrast 8.9:1
Tan
 4% of the image
Brown · text contrast 4.4:1
Khaki
 2% of the image
Gold & ochre · text contrast 5.9:1
Madder
 2% of the image
Red · text contrast 4.4:1
Pale gold
 1% of the image
Yellow · text contrast 8.8:1

Colours measured by this site from the museum image (k-means in CIELAB). Names are the nearest in our own list and describe how the colour looks, not the pigment. Text on each chip uses whichever of black or white contrasts more (WCAG ratio shown). How

Details

Artist
Utagawa Hiroshige III
Japanese, 1842-1894
Date
1871
Type
Print
Medium
Color woodblock print; oban triptych
Place
Japan
Period
19th century
Main colour
Green · lightness 69, colourfulness 17

Art Institute of Chicago, Gift of Emily Crane Chadbourne. Museum record. Public domain. United States: Art Institute of Chicago marks it public domain (is_public_domain = True). Europe: Artist died 1894: public domain in the EU since 1 January 1965. Last checked 2026-10-31 (is_public_domain: yes). Image released by the museum under CC0. Licence rules

Works that share this palette

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The closest palettes among 5004 works, by average colour distance between the two palettes.

Ama, from the series "One Hundred No Dramas (Nogaku hyakuban)", Tsukioka Kôgyo Ama, from the series "One Hundred No Dramas (Nogaku hyakuban)" Tsukioka Kôgyo, 1898/1903 Sawamura Tosshō II (1838–86), from the series Mirror of Photographs Backstage (Shashin gakuya kagami - Sawamura Tosshō nisei), Toyohara Kunichika Sawamura Tosshō II (1838–86), from the series Mirror of Photographs Backstage (Shashin gakuya kagami - Sawamura Tosshō nisei) Toyohara Kunichika, ca. 1859–61 Nihonbashi from the series Thirty-six Views of the Eastern Capital (Toto sanjurokkei), Utagawa Hiroshige II (Shigenobu) Nihonbashi from the series Thirty-six Views of the Eastern Capital (Toto sanjurokkei) Utagawa Hiroshige II (Shigenobu), c. 1853 Dong Yong (Toei), from the series "Twenty-four Paragons of Filial Piety as a Mirror for Children (Nijushiko doji kagami)", Utagawa Kuniyoshi Dong Yong (Toei), from the series "Twenty-four Paragons of Filial Piety as a Mirror for Children (Nijushiko doji kagami)" Utagawa Kuniyoshi, c. 1843 Equestrian Portrait of Maharana Raj Singh II of Mewar (r. 1755–62), Unknown artist Equestrian Portrait of Maharana Raj Singh II of Mewar (r. 1755–62) Unknown artist, c. 1760 Page from a Manuscript with Diagrams Protecting against Children's Illnesses, Unknown artist Page from a Manuscript with Diagrams Protecting against Children's Illnesses Unknown artist, 19th century

More by Utagawa Hiroshige III

Picture of the Steam Engine Railway in Yatsuyama, Tokyo (Tokyo Yatsuyama shita kaigan jokisha tetsudo no zu), Utagawa Hiroshige III Picture of the Steam Engine Railway in Yatsuyama, Tokyo (Tokyo Yatsuyama shita kaigan jokisha tetsudo no zu) Utagawa Hiroshige III, c. 1871 True View of the Foreign Buildings along the Waterfront Seen from the Yokohama Wharves (Yokohama hatoba yori kaigandori ijinkan no shinzu), Utagawa Hiroshige III True View of the Foreign Buildings along the Waterfront Seen from the Yokohama Wharves (Yokohama hatoba yori kaigandori ijinkan no shinzu) Utagawa Hiroshige III, c. 1875