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A work made of color woodblock print; chuban.

Daikokuten, from the series "The Seven Gods of Good Luck in Modern Life (Tosei Shichi Fukujin)"

Suzuki Harunobu · c. 1769

View at the AIC ↗

Palette

Putty
 56% of the image
Gold & ochre · text contrast 9.8:1
Green earth
 21% of the image
Gold & ochre · text contrast 4.5:1
Sand
 11% of the image
Gold & ochre · text contrast 8.2:1
Cinnamon
 6% of the image
Brown · text contrast 6.2:1
Coral
 4% of the image
Red · text contrast 5.9:1
Sepia
 2% of the image
Brown · text contrast 8.5:1

Colours measured by this site from the museum image (k-means in CIELAB). Names are the nearest in our own list and describe how the colour looks, not the pigment. Text on each chip uses whichever of black or white contrasts more (WCAG ratio shown). How

Details

Artist
Suzuki Harunobu
Japanese, 1725 (?)-1770
Date
c. 1769
Type
Print
Medium
Color woodblock print; chuban
Size
28 × 20.4 cm (11 × 8 in.)
Place
Japan
Period
18th century
Main colour
Gold & ochre · lightness 67, colourfulness 21

Art Institute of Chicago, Clarence Buckingham Collection. Museum record. Public domain: the museum's is_public_domain field read true when we last checked (2026-10-25); image released under CC0. Licence rules

Works that share this palette

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The closest palettes among 5004 works, by average colour distance between the two palettes.

Sunset and Moonrise, J. M. W. Turner Sunset and Moonrise J. M. W. Turner, c. 1832 Preparing a Meal, Kitagawa Utamaro Preparing a Meal Kitagawa Utamaro, c. 1798/99 Meng Zong (Moso), from the series "Twenty-four Paragons of Filial Piety as a Mirror for Children (Nijushiko doji kagami)", Utagawa Kuniyoshi Meng Zong (Moso), from the series "Twenty-four Paragons of Filial Piety as a Mirror for Children (Nijushiko doji kagami)" Utagawa Kuniyoshi, c. 1843 The Compound on Mount Narita, Shimosa Province (Shimosa Naritasan keidai) from the series “One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)”, Utagawa Hiroshige II (Shigenobu) The Compound on Mount Narita, Shimosa Province (Shimosa Naritasan keidai) from the series “One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)” Utagawa Hiroshige II (Shigenobu), 1859 Envoys Presenting Tribute, Su Liupeng Envoys Presenting Tribute Su Liupeng, Qing dynasty (1644–1911), about 1850 The Jewel River of Plovers (Chidori no Tamagawa), from an untitled series of Six Jewel Rivers, Suzuki Harunobu The Jewel River of Plovers (Chidori no Tamagawa), from an untitled series of Six Jewel Rivers Suzuki Harunobu, c. 1767

More by Suzuki Harunobu

Artist page and colour fingerprint
Night Rain at the Double-Shelf Stand, from the series Eight Parlor Views (Zashiki hakkei), Suzuki Harunobu Night Rain at the Double-Shelf Stand, from the series Eight Parlor Views (Zashiki hakkei) Suzuki Harunobu, ca. 1766 Young Woman Holding a Kerria Branch (parody of Ota Dokan), Suzuki Harunobu Young Woman Holding a Kerria Branch (parody of Ota Dokan) Suzuki Harunobu, c. 1764/65 The Love Letter, Suzuki Harunobu The Love Letter Suzuki Harunobu, 1765 The Actor Ichimura Kamezo I as Tachibanaya Hikoso in the play "Ume Momiji Date no Okido," performed at the Ichimura Theater in the eleventh month, Suzuki Harunobu The Actor Ichimura Kamezo I as Tachibanaya Hikoso in the play "Ume Momiji Date no Okido," performed at the Ichimura Theater in the eleventh month Suzuki Harunobu, 1760 Evening Snow on a Floss Shaper (Nurioke no bosetsu), from the series "Eight Views of the Parlor (Zashiki hakkei)", Suzuki Harunobu Evening Snow on a Floss Shaper (Nurioke no bosetsu), from the series "Eight Views of the Parlor (Zashiki hakkei)" Suzuki Harunobu, c. 1766 The Jewel River of Plovers (Chidori no Tamagawa), from an untitled series of Six Jewel Rivers, Suzuki Harunobu The Jewel River of Plovers (Chidori no Tamagawa), from an untitled series of Six Jewel Rivers Suzuki Harunobu, c. 1767