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Night Rain at the Double-Shelf Stand, from the series Eight Parlor Views (Zashiki hakkei) by Suzuki Harunobu

Night Rain at the Double-Shelf Stand, from the series Eight Parlor Views (Zashiki hakkei)

Suzuki Harunobu · ca. 1766

View at The Met ↗

Palette

Pale stone
 41% of the image
Gold & ochre · text contrast 11.3:1
Fawn
 26% of the image
Gold & ochre · text contrast 7.8:1
Warm grey
 13% of the image
Grey · text contrast 5.3:1
Chalk
 8% of the image
White & cream · text contrast 16.9:1
Sand
 8% of the image
Gold & ochre · text contrast 7.7:1
Dusty rose
 5% of the image
Pink · text contrast 4.4:1

Colours measured by this site from the museum image (k-means in CIELAB). Names are the nearest in our own list and describe how the colour looks, not the pigment. Text on each chip uses whichever of black or white contrasts more (WCAG ratio shown). How

Details

Artist
Suzuki Harunobu
Japanese, 1725–1770
Date
ca. 1766
Type
Print
Medium
Woodblock print (first edition); ink and colors on paper, medium-sized print (chuban)
Size
11 1/4 x 8 in. (28.6 x 20.3 cm)
Place
Japan
Period
Edo period · 18th century
Themes
Night and moonlight · Rain and storms · Interiors
Main colour
Gold & ochre · lightness 73, colourfulness 17

The Metropolitan Museum of Art, The Francis Lathrop Collection, Purchase, Frederick C. Hewitt Fund, 1911. Museum record. Public domain: the museum's isPublicDomain field read true when we last checked (2026-10-25); image released under CC0. Licence rules

Works that share this palette

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The closest palettes among 5004 works, by average colour distance between the two palettes.

Wisteria and Goldfish 紫藤金魚圖, Xu Gu Wisteria and Goldfish 紫藤金魚圖 Xu Gu, Qing dynasty (1644–1911), mid/late 19th century What One Does to Another, plate 77 from Los Caprichos, Francisco Goya What One Does to Another, plate 77 from Los Caprichos Francisco Goya, 1797/99 The Baptism of the Eunuch, Rembrandt van Rijn The Baptism of the Eunuch Rembrandt van Rijn, 1641 Navagunjara, a Universal Form of Krishna, India (Rajasthan, Jodhpur[?]) artist Navagunjara, a Universal Form of Krishna India (Rajasthan, Jodhpur[?]) artist, ca. 1835 Three Angels Appearing to Abraham, Giovanni Battista Tiepolo Three Angels Appearing to Abraham Giovanni Battista Tiepolo, c. 1726 Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso), Leonardo da Vinci Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso) Leonardo da Vinci, 1480–85

More by Suzuki Harunobu

Artist page and colour fingerprint
Young Woman Holding a Kerria Branch (parody of Ota Dokan), Suzuki Harunobu Young Woman Holding a Kerria Branch (parody of Ota Dokan) Suzuki Harunobu, c. 1764/65 The Love Letter, Suzuki Harunobu The Love Letter Suzuki Harunobu, 1765 The Actor Ichimura Kamezo I as Tachibanaya Hikoso in the play "Ume Momiji Date no Okido," performed at the Ichimura Theater in the eleventh month, Suzuki Harunobu The Actor Ichimura Kamezo I as Tachibanaya Hikoso in the play "Ume Momiji Date no Okido," performed at the Ichimura Theater in the eleventh month Suzuki Harunobu, 1760 Evening Snow on a Floss Shaper (Nurioke no bosetsu), from the series "Eight Views of the Parlor (Zashiki hakkei)", Suzuki Harunobu Evening Snow on a Floss Shaper (Nurioke no bosetsu), from the series "Eight Views of the Parlor (Zashiki hakkei)" Suzuki Harunobu, c. 1766 The Jewel River of Plovers (Chidori no Tamagawa), from an untitled series of Six Jewel Rivers, Suzuki Harunobu The Jewel River of Plovers (Chidori no Tamagawa), from an untitled series of Six Jewel Rivers Suzuki Harunobu, c. 1767 Summer, from the series "New Versions of Flowers of the Four Seasons (Shinpan furyu shiki no hana)", Suzuki Harunobu Summer, from the series "New Versions of Flowers of the Four Seasons (Shinpan furyu shiki no hana)" Suzuki Harunobu, c. 1767

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