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A work made of etching and engraving on heavy ivory laid paper.

The Pier with Chains, plate 16 from Imaginary Prisons

Giovanni Battista Piranesi · 1761

View at the AIC ↗

Palette

Linen
 54% of the image
White & cream · text contrast 15.2:1
Iron
 17% of the image
Grey · text contrast 9.7:1
Taupe
 10% of the image
Brown · text contrast 4.9:1
Slate
 10% of the image
Grey · text contrast 7.2:1
Stone
 7% of the image
Grey · text contrast 6.0:1
Putty
 2% of the image
Grey · text contrast 9.1:1

Colours measured by this site from the museum image (k-means in CIELAB). Names are the nearest in our own list and describe how the colour looks, not the pigment. Text on each chip uses whichever of black or white contrasts more (WCAG ratio shown). How

Details

Artist
Giovanni Battista Piranesi
Italian, 1720-1778
Date
1761
Type
Print
Medium
Etching and engraving on heavy ivory laid paper
Size
Image: 40.9 × 55 cm (16 1/8 × 21 11/16 in.); Plate: 40.9 × 55 cm (16 1/8 × 21 11/16 in.); Sheet: 58.5 × 77.8 cm (23 1/16 × 30 11/16 in.)
Place
Italy
Period
18th century
Main colour
White & cream · lightness 68, colourfulness 9

Art Institute of Chicago, The Wallace L. DeWolf and Joseph Brooks Fair Collections. Museum record. Public domain: the museum's is_public_domain field read true when we last checked (2026-10-25); image released under CC0. Licence rules

Works that share this palette

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The closest palettes among 5004 works, by average colour distance between the two palettes.

Taihu Rock, Rushan Taihu Rock Rushan, Qing dnasty (1644–1911), c. 1860 View of Ponte Lugano on the Anio, from Views of Rome, Giovanni Battista Piranesi View of Ponte Lugano on the Anio, from Views of Rome Giovanni Battista Piranesi, 1763, published 1800–07 Embroidery Pattern with Seven Six-pointed Stars and Four Corner Pieces, Albrecht Dürer Embroidery Pattern with Seven Six-pointed Stars and Four Corner Pieces Albrecht Dürer, before 1521 Clement de Jonghe, Printseller, Rembrandt van Rijn Clement de Jonghe, Printseller Rembrandt van Rijn, 1651 The Lion Bas-Reliefs, plate 5 from Imaginary Prisons, Giovanni Battista Piranesi The Lion Bas-Reliefs, plate 5 from Imaginary Prisons Giovanni Battista Piranesi, 1761 Untitled, Clarence Hudson White Untitled Clarence Hudson White, 1901/05

More by Giovanni Battista Piranesi

Artist page and colour fingerprint
The Round Tower, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi The Round Tower, from "Carceri d'invenzione" (Imaginary Prisons) Giovanni Battista Piranesi, ca. 1749–50 View of St. Peter's Basilica and Piazza in the Vatican, from Views of Rome, Giovanni Battista Piranesi View of St. Peter's Basilica and Piazza in the Vatican, from Views of Rome Giovanni Battista Piranesi, 1748 The Skeletons, Giovanni Battista Piranesi The Skeletons Giovanni Battista Piranesi, 1750 View of the Temple of Jupiter Tonans [Jupiter the Thunderer], from Views of Rome, Giovanni Battista Piranesi View of the Temple of Jupiter Tonans [Jupiter the Thunderer], from Views of Rome Giovanni Battista Piranesi, 1750/59 The Lion Bas-Reliefs, plate 5 from Imaginary Prisons, Giovanni Battista Piranesi The Lion Bas-Reliefs, plate 5 from Imaginary Prisons Giovanni Battista Piranesi, 1761 The Smoking Fire, plate 6 from Imaginary Prisons, Giovanni Battista Piranesi The Smoking Fire, plate 6 from Imaginary Prisons Giovanni Battista Piranesi, 1761