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Raja Mandhata as a musical mode by unknown

Raja Mandhata as a musical mode

unknown · ca. 1690

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Palette

Saffron
 41% of the image
Yellow · text contrast 7.8:1
Rust
 22% of the image
Red · text contrast 5.5:1
Olive
 18% of the image
Gold & ochre · text contrast 4.7:1
Dusty rose
 7% of the image
Pink · text contrast 6.5:1
Olive brown
 7% of the image
Brown · text contrast 9.5:1
Smoke
 5% of the image
Grey · text contrast 5.4:1

Colours measured by this site from the museum image (k-means in CIELAB). Names are the nearest in our own list and describe how the colour looks, not the pigment. Text on each chip uses whichever of black or white contrasts more (WCAG ratio shown). How

Details

Artist
unknown
Date
ca. 1690
Type
Painting
Medium
Opaque watercolor on paper
Size
H x W (image): 17.5 × 17.7 cm (6 7/8 × 7 in)
Place
Nurpur, Himachal Pradesh state, India
Period
17th century
Themes
Portraits · Birds
Main colour
Yellow · lightness 55, colourfulness 51

National Museum of Asian Art (Freer|Sackler), Smithsonian. Museum record. Public domain. United States: Smithsonian Open Access marks it CC0 (descriptiveNonRepeating.metadata_usage.access=CC0; online_media.media[0].usage.a). Europe: Anonymous work, made by 1690: its maker died long before 1956, and any term counted from publication has also run out. Last checked 2026-10-31 (Smithsonian Open Access usage is CC0: yes). Image released by the museum under CC0. Licence rules

Works that share this palette

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The closest palettes among 5004 works, by average colour distance between the two palettes.

Rama and Lakshman with the sage Vishvamitra, from a Ramayana, Attributed to the Master of Style II of the ‘Shangri’ Ramayana Rama and Lakshman with the sage Vishvamitra, from a Ramayana Attributed to the Master of Style II of the ‘Shangri’ Ramayana, ca. 1680-1690 Krishna fluting, folio from a Dasavatar series, Attributed to the Master of the Court of Mankot Krishna fluting, folio from a Dasavatar series Attributed to the Master of the Court of Mankot, ca. 1730 Ravana addresses Sita in the garden of Lanka, from Chapters 53 and 54 of the Aranya Kanda (Book of the Forest) of a Ramayana (Rama’s Journey), Unknown artist Ravana addresses Sita in the garden of Lanka, from Chapters 53 and 54 of the Aranya Kanda (Book of the Forest) of a Ramayana (Rama’s Journey) Unknown artist, c. 1725 Hope II, Gustav Klimt Hope II Gustav Klimt, 1907 Dipak Raga, One of the Thirty-Six Melodies (Ragamala): Personifying Love, Unknown artist Dipak Raga, One of the Thirty-Six Melodies (Ragamala): Personifying Love Unknown artist, c. 1690 Jalandhara Ragaputra, from a Ragamala series, unknown Jalandhara Ragaputra, from a Ragamala series unknown, ca. 1740-1750

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