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A work made of color woodblock print; oban.

Hota Beach in Awa Province (Boshu Hota no kaigan), from the series "Thirty-six Views of Mount Fuji (Fuji sanjurokkei)"

Utagawa Hiroshige · 1858

View at the AIC ↗

Palette

Pale stone
 58% of the image
Green · text contrast 10.5:1
Ash
 15% of the image
Grey · text contrast 5.7:1
Pale gold
 13% of the image
Yellow · text contrast 9.9:1
Slate blue
 7% of the image
Blue · text contrast 8.2:1
Khaki
 4% of the image
Green · text contrast 6.3:1
Terracotta
 3% of the image
Red · text contrast 4.7:1

Colours measured by this site from the museum image (k-means in CIELAB). Names are the nearest in our own list and describe how the colour looks, not the pigment. Text on each chip uses whichever of black or white contrasts more (WCAG ratio shown). How

Details

Artist
Utagawa Hiroshige
Japanese, 1797-1858
Date
1858
Type
Print
Medium
Color woodblock print; oban
Place
Japan
Period
19th century
Themes
Seascapes and the coast · Mountains · Mount Fuji
Main colour
Green · lightness 70, colourfulness 21

Art Institute of Chicago, Gift of Dr. and Mrs. Maurice H. Cottle. Museum record. Public domain. United States: Art Institute of Chicago marks it public domain (is_public_domain = True). Europe: Artist died 1858: public domain in the EU since 1 January 1929. Last checked 2026-10-31 (is_public_domain: yes). Image released by the museum under CC0. Licence rules

Works that share this palette

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The closest palettes among 5004 works, by average colour distance between the two palettes.

Kazuraki, from the series "Pictures of No Performances (Nogaku Zue)", Tsukioka Kôgyo Kazuraki, from the series "Pictures of No Performances (Nogaku Zue)" Tsukioka Kôgyo, 1898 Guo Ju (Kaku Kyo), from the series "Twenty-four Paragons of Filial Piety in China (Morokoshi nijushiko)", Utagawa Kuniyoshi Guo Ju (Kaku Kyo), from the series "Twenty-four Paragons of Filial Piety in China (Morokoshi nijushiko)" Utagawa Kuniyoshi, c. 1848/50 Nissaka, Kakegawa, Fukuroi, Mitsuke, and Hamamatsu, from the series "Famous Places on the Fifty-three Stations of the Tokaido, Five Stations (Tokaido gojusan eki goshuku meisho)", Utagawa Kuniyoshi Nissaka, Kakegawa, Fukuroi, Mitsuke, and Hamamatsu, from the series "Famous Places on the Fifty-three Stations of the Tokaido, Five Stations (Tokaido gojusan eki goshuku meisho)" Utagawa Kuniyoshi, c. 1830/35 Madame Tang (To Fujin), from the series "Twenty-four Paragons of Filial Piety in China (Morokoshi nijushiko)", Utagawa Kuniyoshi Madame Tang (To Fujin), from the series "Twenty-four Paragons of Filial Piety in China (Morokoshi nijushiko)" Utagawa Kuniyoshi, c. 1848/50 Meng Zong (Moso), from the series "Twenty-four Paragons of Filial Piety as a Mirror for Children (Nijushiko doji kagami)", Utagawa Kuniyoshi Meng Zong (Moso), from the series "Twenty-four Paragons of Filial Piety as a Mirror for Children (Nijushiko doji kagami)" Utagawa Kuniyoshi, c. 1843 Kintai Bridge at Iwakuni in Suo Province (Suo Iwakuni Kintaibashi), from the series "One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)", Utagawa Hiroshige II (Shigenobu) Kintai Bridge at Iwakuni in Suo Province (Suo Iwakuni Kintaibashi), from the series "One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)" Utagawa Hiroshige II (Shigenobu), 1859

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Artist page and colour fingerprint
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All seascapes and the coast
Sea Lane Off Kazusa Province (Kazusa no kairo), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)", Katsushika Hokusai Sea Lane Off Kazusa Province (Kazusa no kairo), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)" Katsushika Hokusai, c. 1830/33 Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjurokkei)", Katsushika Hokusai Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjurokkei)" Katsushika Hokusai, 1830/33 At Sea off Kazusa (Kazusa no kairo), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Katsushika Hokusai At Sea off Kazusa (Kazusa no kairo), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) Katsushika Hokusai, ca. 1830–32 Under the Wave off Kanagawa (Kanagawa oki nami ura), or The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Katsushika Hokusai Under the Wave off Kanagawa (Kanagawa oki nami ura), or The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) Katsushika Hokusai, ca. 1830–32 Distant View from beneath Shin Ohashi Bridge (Shin Ohashi kyoka no chobo), from the series "Thirty-six Views of Mount Fuji Seen from the Eastern Capital (Toto Fujimi sanjurokkei)", Utagawa Kuniyoshi Distant View from beneath Shin Ohashi Bridge (Shin Ohashi kyoka no chobo), from the series "Thirty-six Views of Mount Fuji Seen from the Eastern Capital (Toto Fujimi sanjurokkei)" Utagawa Kuniyoshi, c. 1843 The Bay of Marseille, Seen from L'Estaque, Paul Cézanne The Bay of Marseille, Seen from L'Estaque Paul Cézanne, c. 1885