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A work made of ink on paper.

Sketch of Ryogoku Bridge

Utagawa Hiroshige II (Shigenobu) · 19th century

View at the AIC ↗

Palette

Parchment
 45% of the image
Green · text contrast 10.5:1
Putty
 26% of the image
Green · text contrast 9.0:1
Lichen
 14% of the image
Green · text contrast 7.3:1
Sage
 8% of the image
Green · text contrast 5.8:1
Linen
 4% of the image
Green · text contrast 13.3:1
Green earth
 2% of the image
Green · text contrast 4.5:1

Colours measured by this site from the museum image (k-means in CIELAB). Names are the nearest in our own list and describe how the colour looks, not the pigment. Text on each chip uses whichever of black or white contrasts more (WCAG ratio shown). How

Details

Artist
Utagawa Hiroshige II (Shigenobu)
Japanese, 1826-1869
Date
19th century
Type
Painting
Medium
Ink on paper
Size
24.5 × 34.5 cm (9 5/8 × 13 9/16 in.)
Place
Japan
Themes
Cities and streets
Main colour
Green · lightness 73, colourfulness 20

Art Institute of Chicago, Japanese Print Purchase Fund. Museum record. Public domain: the museum's is_public_domain field read true when we last checked (2026-10-25); image released under CC0. Licence rules

Works that share this palette

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The closest palettes among 5004 works, by average colour distance between the two palettes.

Ichikawa Ebizô V as Togashi Saemon and Ichikawa Danjûrô VIII as Musashibô Benkei in Kanjinchô (The Subscription List), plate 18 from the series Eighteen Great Kabuki Plays (Jûhachiban no uchi), Utagawa Kunisada I (Toyokuni III) Ichikawa Ebizô V as Togashi Saemon and Ichikawa Danjûrô VIII as Musashibô Benkei in Kanjinchô (The Subscription List), plate 18 from the series Eighteen Great Kabuki Plays (Jûhachiban no uchi) Utagawa Kunisada I (Toyokuni III), About 1852 An Illustrated New Edition of the Water Margin (Shinpen Suikogaden), Katsushika Hokusai An Illustrated New Edition of the Water Margin (Shinpen Suikogaden) Katsushika Hokusai, 1823/25 Sketch for Autumn Moon at Ishiyama Temple (Ishiyama no shugetsu), from the series "Eight Views in Omi Province (Omi hakkei)", Utagawa Hiroshige II (Shigenobu) Sketch for Autumn Moon at Ishiyama Temple (Ishiyama no shugetsu), from the series "Eight Views in Omi Province (Omi hakkei)" Utagawa Hiroshige II (Shigenobu), c. 1859 Seascape, Henry Ward Ranger Seascape Henry Ward Ranger, 1892 The Terror of Grenelle, Henri de Toulouse-Lautrec The Terror of Grenelle Henri de Toulouse-Lautrec, 1894 Studies of Trees and Foliage, Pierre-Auguste Renoir Studies of Trees and Foliage Pierre-Auguste Renoir, 1884/87

More by Utagawa Hiroshige II (Shigenobu)

Artist page and colour fingerprint
View of Niigata, Echigo Province (Echigo Niigata no kei) from the series “One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)”, Utagawa Hiroshige II (Shigenobu) View of Niigata, Echigo Province (Echigo Niigata no kei) from the series “One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)” Utagawa Hiroshige II (Shigenobu), 1859 Maiko Beach, Banshu Province (Banshu Maiko no hama) from the series “One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)”, Utagawa Hiroshige II (Shigenobu) Maiko Beach, Banshu Province (Banshu Maiko no hama) from the series “One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)” Utagawa Hiroshige II (Shigenobu), 1859 The Compound on Mount Narita, Shimosa Province (Shimosa Naritasan keidai) from the series “One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)”, Utagawa Hiroshige II (Shigenobu) The Compound on Mount Narita, Shimosa Province (Shimosa Naritasan keidai) from the series “One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)” Utagawa Hiroshige II (Shigenobu), 1859 The Big Harbor at Mikuni, Echizen Province (Echizen Mikuni no ominato) from the series “One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)”, Utagawa Hiroshige II (Shigenobu) The Big Harbor at Mikuni, Echizen Province (Echizen Mikuni no ominato) from the series “One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)” Utagawa Hiroshige II (Shigenobu), 1860 Mount Kusuri on the Road to Zenko Temple, Shinshu Province (Shinshu Zenkoji michi Kusuriyama) from the series “One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)”, Utagawa Hiroshige II (Shigenobu) Mount Kusuri on the Road to Zenko Temple, Shinshu Province (Shinshu Zenkoji michi Kusuriyama) from the series “One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)” Utagawa Hiroshige II (Shigenobu), 1859 Catching Lampreys, Eels, and Red Rockfish on Lake Suwa, Shinshu Province from the series “One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)”, Utagawa Hiroshige II (Shigenobu) Catching Lampreys, Eels, and Red Rockfish on Lake Suwa, Shinshu Province from the series “One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)” Utagawa Hiroshige II (Shigenobu), 1860

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All cities and streets
Phaeton Driving the Chariot of Phoebus, Northern Italian Phaeton Driving the Chariot of Phoebus Northern Italian, 1475–1500 Waterloo Bridge, Gray Weather, Claude Monet Waterloo Bridge, Gray Weather Claude Monet, 1900 Two Washerwomen Crossing a Small Park in Paris, Jean-François Rafaëlli Two Washerwomen Crossing a Small Park in Paris Jean-François Rafaëlli, c. 1890 Workers' Daughters on the Outer Boulevard (Illustration for Émile Zola's "L'Assommoir"), Pierre-Auguste Renoir Workers' Daughters on the Outer Boulevard (Illustration for Émile Zola's "L'Assommoir") Pierre-Auguste Renoir, 1877/78 Viewing Sunset over the Ryogoku Bridge from the Onmaya Embankment (Onmayagashi yori Ryogokubashi sekiyo o miru), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)", Katsushika Hokusai Viewing Sunset over the Ryogoku Bridge from the Onmaya Embankment (Onmayagashi yori Ryogokubashi sekiyo o miru), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)" Katsushika Hokusai, c. 1830/33 The Crystal Palace, Camille Pissarro The Crystal Palace Camille Pissarro, 1871