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The false Mansur punished before the judge and expelled from the city, from a Tuti-nama (Tales of a Parrot): Seventeenth Night by Unknown artist

The false Mansur punished before the judge and expelled from the city, from a Tuti-nama (Tales of a Parrot): Seventeenth Night

Unknown artist · c. 1560

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Palette

Biscuit
 54% of the image
Gold & ochre · text contrast 9.0:1
Blue-grey
 12% of the image
Grey · text contrast 5.1:1
Warm grey
 11% of the image
Grey · text contrast 5.7:1
Dusty rose
 10% of the image
Pink · text contrast 6.3:1
Denim
 9% of the image
Blue · text contrast 5.7:1
Madder
 5% of the image
Red · text contrast 4.8:1

Colours measured by this site from the museum image (k-means in CIELAB). Names are the nearest in our own list and describe how the colour looks, not the pigment. Text on each chip uses whichever of black or white contrasts more (WCAG ratio shown). How

Details

Artist
Unknown artist
Date
c. 1560
Type
Painting
Medium
Gum tempera, ink, and gold on paper
Size
Painting only: 11.7 x 10 cm (4 5/8 x 3 15/16 in.)
Place
Mughal India, court of Akbar (reigned 1556–1605)
Period
16th century
Themes
Night and moonlight · Birds · Cities and streets
Main colour
Gold & ochre · lightness 63, colourfulness 21

Cleveland Museum of Art. Museum record. Public domain. United States: Cleveland Museum of Art marks it public domain (share_license_status = CC0). Europe: Anonymous work, made by 1565: its maker died long before 1956, and any term counted from publication has also run out. Last checked 2026-10-31 (share_license_status is CC0: yes). Image released by the museum under CC0. Licence rules

Works that share this palette

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The closest palettes among 5004 works, by average colour distance between the two palettes.

The Parrot Addresses Khujasta at the Beginning of the Seventeenth Night, from a Tuti-nama (Tales of a Parrot), Sravana The Parrot Addresses Khujasta at the Beginning of the Seventeenth Night, from a Tuti-nama (Tales of a Parrot) Sravana, c. 1560 Three suitors fight amongst themselves for the hand of the devotee’s daughter, from a Tuti-nama (Tales of a Parrot): Twentieth Night, Unknown artist Three suitors fight amongst themselves for the hand of the devotee’s daughter, from a Tuti-nama (Tales of a Parrot): Twentieth Night Unknown artist, c. 1560 The pious man’s wife offers the seven-colored bird as food to her lover, but not finding its head, he breaks the pot and bowl in anger, from a Tuti-nama (Tales of a Parrot): Fifty-second Night, Unknown artist The pious man’s wife offers the seven-colored bird as food to her lover, but not finding its head, he breaks the pot and bowl in anger, from a Tuti-nama (Tales of a Parrot): Fifty-second Night Unknown artist, c. 1560 The guard spares the life of the slave when he learns that he is the son of the princess of the Rum, from a Tuti-nama (Tales of a Parrot): Fiftieth Night, Unknown artist The guard spares the life of the slave when he learns that he is the son of the princess of the Rum, from a Tuti-nama (Tales of a Parrot): Fiftieth Night Unknown artist, c. 1560 Habbaza meets Bashir under a tree, from a Tuti-nama (Tales of a Parrot): Twenty-fourth Night, Unknown artist Habbaza meets Bashir under a tree, from a Tuti-nama (Tales of a Parrot): Twenty-fourth Night Unknown artist, c. 1560 The young man of Baghdad solicits advice from a friend as his slave girl, who is adept at music, awaits, from a Tuti-nama (Tales of a Parrot): Forty-eighth Night, Unknown artist The young man of Baghdad solicits advice from a friend as his slave girl, who is adept at music, awaits, from a Tuti-nama (Tales of a Parrot): Forty-eighth Night Unknown artist, c. 1560

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All night and moonlight
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