InspiredBy
✨ Surprise ♡ 0
  1. Home
  2. Paintings
  3. Three suitors fight amongst themselves for the hand of the devotee’s daughter, from a Tuti-nama (Tales of a Parrot): Twentieth Night
Three suitors fight amongst themselves for the hand of the devotee’s daughter, from a Tuti-nama (Tales of a Parrot): Twentieth Night by Unknown artist

Three suitors fight amongst themselves for the hand of the devotee’s daughter, from a Tuti-nama (Tales of a Parrot): Twentieth Night

Unknown artist · c. 1560

View at Cleveland ↗

Palette

Biscuit
 77% of the image
Gold & ochre · text contrast 9.3:1
Dusty rose
 9% of the image
Pink · text contrast 6.0:1
Taupe
 5% of the image
Grey · text contrast 4.7:1
Honey
 4% of the image
Yellow · text contrast 8.6:1
Steel blue
 3% of the image
Blue · text contrast 4.7:1
Lichen
 2% of the image
Green · text contrast 5.9:1

Colours measured by this site from the museum image (k-means in CIELAB). Names are the nearest in our own list and describe how the colour looks, not the pigment. Text on each chip uses whichever of black or white contrasts more (WCAG ratio shown). How

Details

Artist
Unknown artist
Date
c. 1560
Type
Painting
Medium
Gum tempera, ink, and gold on paper
Size
Painting only: 9.9 x 10 cm (3 7/8 x 3 15/16 in.)
Place
Mughal India, court of Akbar (reigned 1556–1605)
Period
16th century
Themes
Night and moonlight · Birds
Main colour
Gold & ochre · lightness 70, colourfulness 23

Cleveland Museum of Art. Museum record. Public domain. United States: Cleveland Museum of Art marks it public domain (share_license_status = CC0). Europe: Anonymous work, made by 1565: its maker died long before 1956, and any term counted from publication has also run out. Last checked 2026-10-31 (share_license_status is CC0: yes). Image released by the museum under CC0. Licence rules

Works that share this palette

Search by colour

The closest palettes among 5004 works, by average colour distance between the two palettes.

The guard spares the life of the slave when he learns that he is the son of the princess of the Rum, from a Tuti-nama (Tales of a Parrot): Fiftieth Night, Unknown artist The guard spares the life of the slave when he learns that he is the son of the princess of the Rum, from a Tuti-nama (Tales of a Parrot): Fiftieth Night Unknown artist, c. 1560 The Brahman’s wife who killed a peacock and ate its gallbladder on the physician’s advice, from a Tuti-nama (Tales of a Parrot): Nineteenth Night, Unknown artist The Brahman’s wife who killed a peacock and ate its gallbladder on the physician’s advice, from a Tuti-nama (Tales of a Parrot): Nineteenth Night Unknown artist, c. 1560 Dancer at the Bar (on Point), Hilaire Germain Edgar Degas Dancer at the Bar (on Point) Hilaire Germain Edgar Degas, c. 1885 The four destitute friends go to a wise man who gives each one of them a magic shell to be placed on top of the turban, from a Tuti-nama (Tales of a Parrot): Forty-seventh Night, Unknown artist The four destitute friends go to a wise man who gives each one of them a magic shell to be placed on top of the turban, from a Tuti-nama (Tales of a Parrot): Forty-seventh Night Unknown artist, c. 1560 The Parrot Addresses Khujasta at the Beginning of the Seventeenth Night, from a Tuti-nama (Tales of a Parrot), Sravana The Parrot Addresses Khujasta at the Beginning of the Seventeenth Night, from a Tuti-nama (Tales of a Parrot) Sravana, c. 1560 The prince and Nikfal are joined by Khalis and the Mukhlis who are the grateful snake and frog in human form, from a Tuti-nama (Tales of a Parrot): Eighteenth Night, Unknown artist The prince and Nikfal are joined by Khalis and the Mukhlis who are the grateful snake and frog in human form, from a Tuti-nama (Tales of a Parrot): Eighteenth Night Unknown artist, c. 1560

More like this by theme

All night and moonlight
The infant son of the king of Isfahan responds to music, from a Tuti-nama (Tales of a Parrot): Thirteenth Night, Unknown artist The infant son of the king of Isfahan responds to music, from a Tuti-nama (Tales of a Parrot): Thirteenth Night Unknown artist, c. 1560 The cat attacks the mice which disturb the lion, from a Tuti-nama (Tales of a Parrot): Fifteenth Night, Unknown artist The cat attacks the mice which disturb the lion, from a Tuti-nama (Tales of a Parrot): Fifteenth Night Unknown artist, c. 1560 The daughter-in-law of the king of Banaras, charmed by the music of a vagabond, comes down to meet him, from a Tuti-nama (Tales of a Parrot): Sixteenth Night, Unknown artist The daughter-in-law of the king of Banaras, charmed by the music of a vagabond, comes down to meet him, from a Tuti-nama (Tales of a Parrot): Sixteenth Night Unknown artist, c. 1560 The daughter-in-law returns from her misadventure, feigning insanity, from a Tuti-nama (Tales of a Parrot): Sixteenth Night, Unknown artist The daughter-in-law returns from her misadventure, feigning insanity, from a Tuti-nama (Tales of a Parrot): Sixteenth Night Unknown artist, c. 1560 The old procuress conveys the young man’s message of love to Mansur’s wife, from a Tuti-nama (Tales of a Parrot: Seventeenth Night, Sravana The old procuress conveys the young man’s message of love to Mansur’s wife, from a Tuti-nama (Tales of a Parrot: Seventeenth Night Sravana, c. 1560 The false Mansur punished before the judge and expelled from the city, from a Tuti-nama (Tales of a Parrot): Seventeenth Night, Unknown artist The false Mansur punished before the judge and expelled from the city, from a Tuti-nama (Tales of a Parrot): Seventeenth Night Unknown artist, c. 1560