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The woman conversing with her children, as the leopard returns, egged on by a fox who is tied to his leg, from a Tuti-nama (Tales of a Parrot): Thirtieth Night by Unknown artist

The woman conversing with her children, as the leopard returns, egged on by a fox who is tied to his leg, from a Tuti-nama (Tales of a Parrot): Thirtieth Night

Unknown artist · c. 1560

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Palette

Putty
 30% of the image
Gold & ochre · text contrast 9.3:1
Dusty rose
 21% of the image
Pink · text contrast 6.7:1
Pewter
 18% of the image
Grey · text contrast 4.4:1
Cornflower
 16% of the image
Blue · text contrast 4.5:1
Mushroom
 14% of the image
Grey · text contrast 6.1:1
Tan
 1% of the image
Pink · text contrast 5.2:1

Colours measured by this site from the museum image (k-means in CIELAB). Names are the nearest in our own list and describe how the colour looks, not the pigment. Text on each chip uses whichever of black or white contrasts more (WCAG ratio shown). How

Details

Artist
Unknown artist
Date
c. 1560
Type
Painting
Medium
Gum tempera, ink, and gold on paper
Size
Overall: 20.3 x 14 cm (8 x 5 1/2 in.)
Place
Mughal India, court of Akbar (reigned 1556–1605)
Period
16th century
Themes
Night and moonlight · Birds
Main colour
Gold & ochre · lightness 62, colourfulness 15

Cleveland Museum of Art. Museum record. Public domain. United States: Cleveland Museum of Art marks it public domain (share_license_status = CC0). Europe: Anonymous work, made by 1565: its maker died long before 1956, and any term counted from publication has also run out. Last checked 2026-10-31 (share_license_status is CC0: yes). Image released by the museum under CC0. Licence rules

Works that share this palette

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The closest palettes among 5004 works, by average colour distance between the two palettes.

The Raja’s daughter, born with three breasts, accompanies her blind husband and his hunchback guide on a journey, from a Tuti-nama (Tales of a Parrot): Forty-second Night, Unknown artist The Raja’s daughter, born with three breasts, accompanies her blind husband and his hunchback guide on a journey, from a Tuti-nama (Tales of a Parrot): Forty-second Night Unknown artist, c. 1560 The Parrot Addresses Khujasta at the Beginning of the Eleventh Night, from a Tuti-nama (Tales of a Parrot), Banavari 2 The Parrot Addresses Khujasta at the Beginning of the Eleventh Night, from a Tuti-nama (Tales of a Parrot) Banavari 2, c. 1560 The false Mansur punished before the judge and expelled from the city, from a Tuti-nama (Tales of a Parrot): Seventeenth Night, Unknown artist The false Mansur punished before the judge and expelled from the city, from a Tuti-nama (Tales of a Parrot): Seventeenth Night Unknown artist, c. 1560 The wife of the son of the vizier brings the magic wooden parrot to her lover, the monk, who exchanges it for the replica, from a Tuti-nama (Tales of a Parrot): Tenth Night, Lalu The wife of the son of the vizier brings the magic wooden parrot to her lover, the monk, who exchanges it for the replica, from a Tuti-nama (Tales of a Parrot): Tenth Night Lalu, c. 1560 Doll, Mina Lowry Doll Mina Lowry, c. 1936 The magician disguised as a Brahman returns to claim his “daughter-in-law,” from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night, Unknown artist The magician disguised as a Brahman returns to claim his “daughter-in-law,” from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night Unknown artist, c. 1560

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All night and moonlight
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